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Valmiki Ramayana 2.71.29: Ayodhya Kanda, Sarga 71, Shloka 29

भरतस्य अयोध्याप्रत्यागमनम्

Bharata’s Return Journey and the Distant Sight of Ayodhya

भेरीमृदङ्गवीणानां कोणसङ्घट्टितः पुनः।।2.71.29।।

किमद्य शब्दो विरतस्सदा दीनगतिः पुरा।

Sanskrit recitationValmiki Ramayana 2.71.29

bherī-mṛdaṅga-vīṇānāṃ koṇa-saṅghaṭṭitaḥ punaḥ || 2.71.29 ||

kim adya śabdo virataḥ sadā dīna-gatiḥ purā |

为何今日声响止息——号角一次又一次的撞击回鸣,与战鼓、手鼓及维那琴之音皆不复闻?为何城中行止尽显凄然,往昔却常是另一番景象?

भेरीमृदङ्गवीणानाम्of drums, mridangas, and vinas
भेरीमृदङ्गवीणानाम्:
Sambandha (सम्बन्ध)
TypeNoun
Rootभेरी + मृदङ्ग + वीणा (प्रातिपदिक)
Formइतरेतर-द्वन्द्व (list): ‘भेर्यश्च मृदङ्गाश्च वीणाश्च’; स्त्री/पुं मिश्र, षष्ठी, बहुवचन
कोणसङ्घट्टितःproduced by striking
कोणसङ्घट्टितः:
Visheshana (विशेषण)
TypeAdjective
Rootकोण + सङ्घट्टित (प्रातिपदिक)
Formतत्पुरुष: ‘कोणैः सङ्घट्टितः’ (struck by sticks/beaters); पुल्लिङ्ग, प्रथमा, एकवचन; शब्दः-विशेषण
पुनःagain
पुनः:
Prakara (प्रकार)
TypeIndeclinable
Rootपुनः (अव्यय)
Formअव्यय (again)
किम्why
किम्:
Hetu/Prashna (प्रश्न)
TypeNoun
Rootकिम् (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; प्रश्नार्थक
अद्यtoday/now
अद्य:
Kala-adhikarana (काल-अधिकरण)
TypeIndeclinable
Rootअद्य (अव्यय)
Formकालवाचक अव्यय
शब्दःsound
शब्दः:
Karta (कर्ता)
TypeNoun
Rootशब्द (प्रातिपदिक)
Formपुल्लिङ्ग, प्रथमा, एकवचन
विरतःceased/stopped
विरतः:
Visheshana (विशेषण)
TypeAdjective
Rootवि-√रम् (धातु) + क्त (प्रत्यय)
FormPPP/क्त, पुल्लिङ्ग, प्रथमा, एकवचन; शब्दः-विशेषण
सदाalways
सदा:
Kala-adhikarana (काल-अधिकरण)
TypeIndeclinable
Rootसदा (अव्यय)
Formकालवाचक अव्यय (always)
दीनगतिःa sad state
दीनगतिः:
Bhava (भाव)
TypeNoun
Rootदीन + गति (प्रातिपदिक)
Formकर्मधारय: ‘दीना गतिः’ (sad course/state); स्त्रीलिङ्ग, प्रथमा, एकवचन; (वाक्ये भाववाचक)
पुराformerly
पुरा:
Kala-adhikarana (काल-अधिकरण)
TypeIndeclinable
Rootपुरा (अव्यय)
Formकालवाचक अव्यय (formerly)

Why is it that the sounds of musical instruments like mrudangas and veenas are not heard now? Why is the city filled with melancholy?

A
Ayodhya
S
Sumantra
B
Bheri (kettledrum)
V
Vina

FAQs

Communal celebration and music often accompany righteous prosperity and public rites. Their sudden cessation signals moral and emotional crisis, reminding that dharma supports not only law but also cultural vitality.

Rama remarks that the familiar festive and ceremonial sounds of Ayodhya’s instruments are absent, and the city feels weighed down by sorrow.

Rama’s concern for the collective: he interprets the absence of public joy as a serious sign affecting the entire kingdom, not merely a personal inconvenience.

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