भरतस्य अयोध्याप्रत्यागमनम्
Bharata’s Return Journey and the Distant Sight of Ayodhya
भेरीमृदङ्गवीणानां कोणसङ्घट्टितः पुनः।।2.71.29।।
किमद्य शब्दो विरतस्सदा दीनगतिः पुरा।
bherī-mṛdaṅga-vīṇānāṃ koṇa-saṅghaṭṭitaḥ punaḥ || 2.71.29 ||
kim adya śabdo virataḥ sadā dīna-gatiḥ purā |
为何今日声响止息——号角一次又一次的撞击回鸣,与战鼓、手鼓及维那琴之音皆不复闻?为何城中行止尽显凄然,往昔却常是另一番景象?
Why is it that the sounds of musical instruments like mrudangas and veenas are not heard now? Why is the city filled with melancholy?
Communal celebration and music often accompany righteous prosperity and public rites. Their sudden cessation signals moral and emotional crisis, reminding that dharma supports not only law but also cultural vitality.
Rama remarks that the familiar festive and ceremonial sounds of Ayodhya’s instruments are absent, and the city feels weighed down by sorrow.
Rama’s concern for the collective: he interprets the absence of public joy as a serious sign affecting the entire kingdom, not merely a personal inconvenience.
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