Narada Purana — Purva Bhaga, Shloka 21
The Exposition of the Maheśa Mantra
Mahēśa-mantra-prakāśana
गुणात्मशक्तिभक्ताय ततोऽनंताय तत्परम् । योगपीठात्मने भूयो नमस्तारादिको मनुः ॥ २१ ॥
guṇātmaśaktibhaktāya tato'naṃtāya tatparam | yogapīṭhātmane bhūyo namastārādiko manuḥ || 21 ||
继而礼敬那位奉爱于“以诸德性（guṇa）为体之圣能（Śakti）”的奉献者；再礼敬无尽者；并礼敬彼至上实相。复次，“多罗（Tārā）”等诸咒，向那位以瑜伽圣座（Yogapīṭha）为自性者再致敬礼。
Suta (narrating the Purana dialogue/tradition)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
FAQs
It frames a mantra-sequence (beginning with “Tārā”) as repeated salutations directed to the Infinite and the Supreme, emphasizing that mantra is meant to culminate in devotion and realization of the highest principle.
By explicitly offering “namaḥ” to the Infinite and the Supreme, it shows bhakti as reverential surrender through mantra—using sacred sound to orient the mind toward Ananta and the transcendent Reality.
It highlights mantra-prayoga (structured use of a mantra-series) and technical mantra terminology (manuḥ, pīṭha, repeated bhūyaḥ), aligning with Vedanga-style instruction on correct recitation and intent.