Narada Purana — Purva Bhaga, Shloka 143
The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
इंद्राग्निरूपा मित्रा चापींद्राणी निर्ऋतिर्जला । वैश्वदेवी हरितभूर्वासवी वरुणा जया ॥ १४३ ॥
iṃdrāgnirūpā mitrā cāpīṃdrāṇī nirṛtirjalā | vaiśvadevī haritabhūrvāsavī varuṇā jayā || 143 ||
她具因陀罗与阿耆尼之形；她是密多罗（Mitrā）；她亦是因陀罗尼（Indrāṇī）；她是尼利提（Nirr̥ti）；她是阇罗（Jalā，水性者）。她是毗湿婆提毗（Vaiśvadevī）；她是哈利塔布呼（Haritabhū，青绿如土）；她是婆娑毗（Vāsavī）；她是伐楼那（Varuṇā）；她亦是阇耶（Jayā，胜利）。
Narada (in a didactic enumeration within Vedanga-related material)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
FAQs
It teaches that a single divine power can be invoked through many Vedic devatā-aspects—Indra, Agni, Mitra, Varuṇa, and others—supporting a unified vision behind ritual names and forms.
By listing multiple sacred names and aspects, it models nāma-smaraṇa (remembrance through names): devotion can approach the Divine through whichever devatā-form the practitioner reveres, while recognizing an underlying unity.
It reflects mantra-śāstra style usage of devatā-nāmas—knowing precise names/aspects aids correct invocation in rites, homa, and related technical applications of Vedic practice.