The Description of the Four Durgā Mantras
षड्दीर्घयुक्तेनाद्येन बीजेनांगक्रिया मता । पञ्चबाणांस्ततो न्यस्येन्मन्त्री त्रैलोक्यमोहनान् ॥ ५२ ॥
ṣaḍdīrghayuktenādyena bījenāṃgakriyā matā | pañcabāṇāṃstato nyasyenmantrī trailokyamohanān || 52 ||
肢体加持之仪(aṅga-kriyā)被认为应以具足六个长元音的首一种子音(bīja)而行。其后,通晓真言者当作安置(nyāsa),布置那迷摄三界的五支“箭”。
Sanatkumara (in instruction to Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches that inner sanctification accompanies outer ritual: the practitioner consecrates the body through aṅga-kriyā and nyāsa, making the worship-fit body a support for mantra-siddhi.
Though technical, it supports bhakti by prescribing disciplined mantra-worship: devotion is stabilized through correct ritual placement (nyāsa) and focused remembrance, rather than mere emotion alone.
Mantra-śāstra usage tied to phonetics (śikṣā): the mention of dīrgha (long vowels) stresses precise sound-length in bīja recitation, along with procedural ritual application (nyāsa).
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