Yakṣiṇī-Mantra-Sādhana Nirūpaṇa
Lakṣmī-avatāra-vidyāḥ: Bālā, Annapūrṇā, Bagalā
जालंधरं तथोन्नासं कोटपीठमथाष्टमम् । भूगृहे दशदिक्ष्वर्चेद्धेतुकं त्रिपुरांतकम् ॥ ३० ॥
jālaṃdharaṃ tathonnāsaṃ koṭapīṭhamathāṣṭamam | bhūgṛhe daśadikṣvarceddhetukaṃ tripurāṃtakam || 30 ||
亦当安置并礼敬阇兰陀罗(Jālandhara)与乌那萨(Unnāsa),并以拘吒毗吒(Koṭapīṭha)为第八座处。在地下圣室(bhūgṛha)中,当于十方供养诃都迦(Hetuka)与摧三城者(Tripurāntaka)。
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It presents a technical ritual mapping: specific divine forms are assigned to defined seats and the ten directions, expressing the idea that sacred space is made complete and protected through orderly, directional worship.
Bhakti here is expressed as disciplined arcana—devotion performed through precise installation and worship, where reverence is shown by honoring each form in its proper place and direction.
It reflects applied ritual science—procedural arcana-vidhi and spatial/directional arrangement used in consecration and protective rites, a technical tradition aligned with Vedanga-style precision in practice.