The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
नानाशिल्पकलाभिज्ञां कृष्णभोगानुरूपिणीम् । तत्सेवनसुखाह्लादभावेनातिसुनिर्वृताम् ॥ ३१ ॥
nānāśilpakalābhijñāṃ kṛṣṇabhogānurūpiṇīm | tatsevanasukhāhlādabhāvenātisunirvṛtām || 31 ||
她通晓诸般技艺与艺术,完全契合圣主奎师那的欢悦;因侍奉祂之乐而心怀大喜,安然满足,喜悦充盈于心。
Narada (teaching in dialogue context within the Narada Purana)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It presents seva (loving service) as a complete spiritual fulfillment: true contentment arises from delighting in Krishna’s service rather than from self-centered pleasure.
Bhakti is shown as attentive, fitting service—offering one’s abilities and refined conduct in a mood of joyful dedication to Krishna.
While not naming a specific Vedanga, it implies the disciplined cultivation of kalā/śilpa (technical arts) and proper conduct—skills that support refined ritual culture and devotional service.
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