The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
श्रीकृष्णं नित्यलीलास्थं चिंतयेत्स्वधियानिशम् । श्रीमदर्चावतारेण कृष्णं परिचरेत्सदा ॥ २० ॥
śrīkṛṣṇaṃ nityalīlāsthaṃ ciṃtayetsvadhiyāniśam | śrīmadarcāvatāreṇa kṛṣṇaṃ paricaretsadā || 20 ||
应以自心恒常观念圣奎师那——永住于其永恒神圣戏游(līlā)之中,昼夜不息;并应通过其吉祥的阿尔查化身(arcā-avatāra,受供奉的圣像形态)常常奉事奎师那。
Sanatkumara (teaching Narada in a Bhakti-oriented instruction within the technical/ritual context of Book 1.3)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It unites inner practice (constant remembrance of Kṛṣṇa’s nitya-līlā) with outer practice (service to His arcā-avatāra), presenting devotion as both meditation and disciplined worship.
Bhakti is shown as uninterrupted contemplation (cintana) and steady service (paricaryā) to the deity form, making devotion continuous rather than occasional.
It points to applied ritual discipline—arcā worship and paricaryā—where correct procedure, mantra use, and purity norms (aligned with Kalpa/ritual science) support sustained devotion.