The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
गायत्री देवता चास्य बल्लवीवल्लभो विभुः । प्रपन्नोऽस्मीति तद्भक्तौ विनियोग उदाहृतः ॥ १३ ॥
gāyatrī devatā cāsya ballavīvallabho vibhuḥ | prapanno'smīti tadbhaktau viniyoga udāhṛtaḥ || 13 ||
此咒之韵律为伽耶特丽(Gāyatrī),主尊为遍一切处之主——众牧女所爱之瓦拉婆(Vallabha)。其用法(viniyoga)宣说为:“我已归依”,以成就对祂的奉爱(bhakti)。
Sage Narada (instructional narration within Vedanga-style mantra-lakshana)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It frames mantra-practice as a devotional act: the practitioner approaches the all-pervading Lord (Krishna) through surrender (prapatti), while correctly specifying chandas (Gāyatrī) and devatā as part of disciplined recitation.
Bhakti is expressed as prapatti—“I have taken refuge”—making surrender the inner intention (viniyoga) behind the technical mantra framework.
It highlights mantra-lakṣaṇa conventions used in Vedanga-style practice: identifying the chandas (metre), the devatā (presiding deity), and the viniyoga (application) before recitation.