The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
दशांशः कमलैर्होमो यजनं च षडर्णवत् । रामो ङेंन्तो धनुष्पाणिर्ङैतोंऽते वह्निसुंदरी ॥ ७२ ॥
daśāṃśaḥ kamalairhomo yajanaṃ ca ṣaḍarṇavat | rāmo ṅeṃnto dhanuṣpāṇirṅaitoṃ'te vahnisuṃdarī || 72 ||
当奉献十分之一;以莲华行护摩;并依六音节之真言形态而修祭仪。“罗摩”当以鼻音“ṅ”起首而诵;“持弓者”(Dhanus-pāṇi)亦如是发音;末后宣说“火之丽女”(Vahni-sundarī)之相。
Narada (teaching in a technical/Vedanga-oriented context, likely to Sanatkumara)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It links inner merit (daśāṁśa/dāna) with outer ritual correctness (homa and yajña), stressing that spiritual efficacy depends on both offering and precise mantric/phonetic execution.
Bhakti here appears as disciplined worship—offering (lotus-homa) and reverent invocation of divine names (like Rāma) with correct recitation, showing devotion expressed through exact sacred practice.
Shiksha/Vyakarana-oriented guidance: attention to syllable-count (ṣaḍarṇavat) and specific phonetic markers involving the nasal ‘ṅ’, indicating how pronunciation and sound-structure are treated as technical requirements in ritual.