Narada Purana — Purva Bhaga, Shloka 66
The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
छन्दश्च देवता सीता पतिर्बीजं तथादिमम् । स्वाहा शक्तिश्च कामेन कुर्यादंगानि षट् क्रमात् ॥ ६६ ॥
chandaśca devatā sītā patirbījaṃ tathādimam | svāhā śaktiśca kāmena kuryādaṃgāni ṣaṭ kramāt || 66 ||
韵律（chandas）与主宰本尊为悉多（Sītā）；其夫主罗摩（Rāma）被宣说为种子音（bīja），亦为最初的开端句。“娑嚩诃”（Svāhā）为神力（śakti）。为求所愿成就，当依次修行六支安置（aṅga-nyāsa）。
Narada (teaching within a technical/ritual instruction context, typical of Book 1.3 Vedanga material)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
FAQs
It formalizes mantra-prayoga by assigning chandas, devatā, bīja, and śakti, then directing aṅga-nyāsa—showing that devotion is supported by precise ritual structure so the worship becomes focused and empowered.
Bhakti here is expressed through disciplined worship: Sītā is treated as the devatā, Rāma as the bīja, and the practitioner internalizes the mantra through six-limbed nyāsa, turning devotion into steady, embodied remembrance.
It highlights mantra-śāstra procedure tied to chandas (prosody) and ritual application—how a mantra is technically “set” with devatā, bīja, śakti and then applied through ṣaḍ-aṅga (six-part) nyāsa in proper order.