The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
षट्कोणेषु षडर्णानि मन्त्रस्य विलिखेद् बुधः । अष्टपत्रे तथाष्टार्णांल्लिखेत्प्रणवगर्भितान् ॥ ३३ ॥
ṣaṭkoṇeṣu ṣaḍarṇāni mantrasya vilikhed budhaḥ | aṣṭapatre tathāṣṭārṇāṃllikhetpraṇavagarbhitān || 33 ||
智者应在六角形的六个三角中书写此咒的六个音节;同样,在八瓣莲上书写此咒的八个音节,并使每一音节皆含摄“普罗那瓦”(Praṇava,唵 Oṁ)。
Narada (teaching technical mantra–yantra procedure, in the Vedanga/ritual-technical context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches that mantra is not only recited but also ritually “installed” through sacred geometry—placing syllables in prescribed forms to align sound (śabda) with form (rūpa), with Oṁ as the sanctifying core.
By emphasizing Praṇava-imbued mantra-writing, it frames devotion as disciplined worship: the devotee honors the deity through precise mantra-forms, treating the mantra as a living presence to be established with reverence.
It highlights technical ritual know-how—mantra-akṣara arrangement in yantras (a procedural/kalpa-style practice), including the rule of prefacing or embedding the Praṇava (Oṁ) in the syllables used for inscription.