The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
अधोमुखाभिः शिष्टाभिः शेषाभिर्नृहरौ ततः । हस्तावधोमुखौ कृत्वा नाभिदेशे प्रसार्य च ॥ ४० ॥
adhomukhābhiḥ śiṣṭābhiḥ śeṣābhirnṛharau tataḥ | hastāvadhomukhau kṛtvā nābhideśe prasārya ca || 40 ||
随后,将其余手指依仪轨整齐安置并向下垂,观念于圣主尼诃利(Nṛhari,狮面人身的主);令双手掌心向下,伸展至脐轮之处。
Narada
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It emphasizes disciplined, correct bodily procedure (hand orientation and placement) as a support for focused devotion to Nṛhari, aligning the worshipper’s attention with the deity through precise ritual action.
Bhakti here is expressed through careful, reverent performance—turning the hands downward and extending them toward the navel region as instructed—showing that devotion includes attentive adherence to sacred method while invoking Nṛhari.
It reflects technical ritual know-how—procedural instruction akin to Kalpa/Prayoga traditions—detailing hand-positioning (mudrā/nyāsa-like action) used in formal worship.