The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
क्षं बीजं शक्तिरी प्रोक्ता षड्दीर्घेण षडङ्गकम् । अर्केन्दुवह्निनयनं शरदिन्दुरुचं करैः ॥ ४ ॥
kṣaṃ bījaṃ śaktirī proktā ṣaḍdīrgheṇa ṣaḍaṅgakam | arkenduvahninayanaṃ śaradindurucaṃ karaiḥ || 4 ||
种子音(bīja)为“kṣaṃ”;其神力(śakti)宣说为“ī”。配以六个长元音,即成六支(ṣaḍaṅga)以作安置(nyāsa)。当观想本尊:其眼如日、月与火,身放秋月之辉,具诸神圣之手。
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It encodes a complete mantra-practice unit: bīja (seed), śakti (energizing syllable), ṣaḍaṅga (sixfold protective/ritual limbs), and devatā-dhyāna (visualization), showing that mantra is not only sound but also disciplined ritual application and contemplation.
Bhakti here is expressed as focused worship through mantra and meditation—fixing the mind on the deity’s luminous form (moon-like radiance and powerful eyes) while applying nyāsa, turning devotion into steady, embodied remembrance.
Ritual-mantra procedure (prayoga) is highlighted: using bīja and śakti syllables and applying ṣaḍaṅga-nyāsa (a standard technical method in mantra-śāstra aligned with Vedic auxiliary disciplines of correct recitation and ritual performance).