The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
इत्यन्तान्यास्यकघ्राणचक्षुः श्रोत्रेषु पक्ष्मसु । हृदि नाभौ च कट्यादिपादान्तं नवसु न्यसेत् ॥ २८ ॥
ityantānyāsyakaghrāṇacakṣuḥ śrotreṣu pakṣmasu | hṛdi nābhau ca kaṭyādipādāntaṃ navasu nyaset || 28 ||
如是,既已完成先前诸安置(nyāsa),当将(真言/其分段)安置于口、鼻、眼、耳与睫毛;又安置于心与脐,并自腰际下至足端——合为九处安置。
Narada (teaching a technical ritual method within Vedanga-oriented practice)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches internalization of worship through nyāsa—placing sacred sound/intent into specific bodily centers so the practitioner’s body becomes a fit vessel for mantra-sādhana and focused contemplation.
By prescribing bodily placements tied to mantra, it supports devotional upāsanā as embodied remembrance—turning senses and inner centers (heart, navel) into instruments of attentive worship rather than distraction.
Ritual-technical application of mantra (a prayoga within Vedic/Āgamic discipline): a structured nyāsa sequence, emphasizing precise placement steps and count (nine) for correct practice.