The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
सहस्रार्णं महामन्त्रं वक्ष्ये तन्त्रेषु गोपितम् । तारो माया रमा कामो बीजं क्रोधपदं ततः ॥ १६२ ॥
sahasrārṇaṃ mahāmantraṃ vakṣye tantreṣu gopitam | tāro māyā ramā kāmo bījaṃ krodhapadaṃ tataḥ || 162 ||
我将宣说那藏于诸《坦特罗》之中的千字大咒。其种子音(bīja)为:多罗(Tāra)、摩耶(Māyā)、罗摩(Ramā)、迦摩(Kāma),其后复加表“忿怒”(Krodha)之词。
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It frames mantra-vidyā as a guarded, potent discipline: a “mahāmantra” is transmitted through an authorized lineage and is built from specific bīja-elements, indicating controlled spiritual power rather than casual recitation.
While the verse is technical, it implies that devotion is supported by disciplined practice—sacred sound (mantra) is treated as a precise vehicle for focusing the mind on divinity (e.g., Ramā/Lakṣmī as a divine principle) under proper guidance.
It highlights mantra-construction using bīja terminology and coded epithets—an applied, technical side of sacred phonetics and ritual practice aligned with Vedāṅga-style precision (especially śikṣā/phonetics and kalpa/ritual method).