Gaṇeśa Mantra-vidhi: Mahāgaṇapati Gāyatrī, Vakratuṇḍa Mantra, Nyāsa, Homa, Āvaraṇa-pūjā, and Caturthī Vrata
प्रणवो भुवनेशानीस्वबीजांते नवार्णकः । हस्तीति च पिशाचीति लिखेञ्चैवाग्रिंसुंदरी ॥ ६१ ॥
praṇavo bhuvaneśānīsvabījāṃte navārṇakaḥ | hastīti ca piśācīti likheñcaivāgriṃsuṃdarī || 61 ||
九音真言以圣音“唵”(Praṇava)为首,并以布婆内舍阿尼(Bhuvaneśānī)之种子音(bīja)为终;当与“hastpiśācī”之词同书,亦并书“Agriṃ-sundarī”。
Sanatkumara (in instruction to Narada, within a technical/mantra-vidhana section)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It gives a precise, technical rule for constructing and inscribing a specific nine-syllabled (navārṇaka) mantra—showing that correct formation (praṇava + deity-bīja) is treated as spiritually consequential in mantra-śāstra sections of the Narada Purana.
While primarily technical, it supports devotional practice by prescribing a focused mantra-form connected to a Devī-form (Bhuvaneśānī); disciplined japa/likhita (written) mantra practice is presented as a concrete method of devotion and inner steadiness.
It highlights applied mantra-vidhi (ritual procedure) and phonetic/structural precision in mantra construction (praṇava, bīja, syllable-count)—a technical discipline aligned with Śikṣā (sound/recitation) and broader ritual science discussed in Book 1.3.