Gaṇeśa Mantra-vidhi: Mahāgaṇapati Gāyatrī, Vakratuṇḍa Mantra, Nyāsa, Homa, Āvaraṇa-pūjā, and Caturthī Vrata
वारुणे मदनावत्या संयुतं दुर्मुखं यजेत् । यजेन्नैर्ऋत्यकोणे तु विघ्नं मदद्रवायुतम् ॥ ३१ ॥
vāruṇe madanāvatyā saṃyutaṃ durmukhaṃ yajet | yajennairṛtyakoṇe tu vighnaṃ madadravāyutam || 31 ||
于伐楼那之方位,当礼拜杜尔穆迦(Durmukha)与摩陀那伐蒂(Madanāvatī)同在。于奈利律多之隅(西南),当礼拜毗伽那(Vighna)与摩陀陀罗婆(Madadravā)同在。
Narada (teaching within a technical/ritual instruction section, traditionally in dialogue context with Sanatkumara lineage)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches that harmony in ritual space comes from honoring the deities assigned to each direction, including the forces that cause or remove obstacles, thereby aligning worship with cosmic order (dik and devatā).
Bhakti here is expressed as disciplined, reverent worship—offering devotion correctly according to prescribed placements, acknowledging divine powers (and their consorts/śaktis) that govern specific quarters.
It reflects applied ritual science tied to directional theology (dik-devatā), useful in Vāstu-like layouts and śānti rites for vighna-nivāraṇa (pacifying obstacles) within a technical Vedanga-oriented framework.