Devapūjā-krama: Ārghya-saṃskāra, Maṇḍala–Nyāsa, Mudrā-pradarśana, Āvaraṇa-arcana, Homa, Japa, and Kṣamāpaṇa
अमुकावरणांते तु देवता इति संवदेत् । सालंकारास्ततः पश्चात्सांगाः सपरिचारिकाः ॥ ७९ ॥
amukāvaraṇāṃte tu devatā iti saṃvadet | sālaṃkārāstataḥ paścātsāṃgāḥ saparicārikāḥ || 79 ||
于所规定的围护(āvaraṇa)仪轨之末,应宣言:“此即神祇。”其后,当观想或称念该神祇:佩戴庄严之饰,与诸支分(aṅga)同在,并有侍女随侍左右。
Narada (instructional narration within a technical/ritual section; traditionally framed in dialogue with Sanatkumara lineage)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It emphasizes that ritual acts culminate in clear recognition and declaration of the presiding divinity, followed by devotional visualization of the deity in complete, auspicious form.
By directing the practitioner to name the deity and then contemplate the deity as beautifully adorned and attended, it turns technical procedure into reverent, personal devotion through dhyāna (sacred visualization).
It reflects mantra-prayoga and ritual sequencing—how and when to utter a defining mantra/statement and how to proceed to deity-dhyāna with prescribed attributes (a procedural, Vedanga-like discipline).