Narada Purana — Purva Bhaga, Shloka 19
Devapūjā-krama: Ārghya-saṃskāra, Maṇḍala–Nyāsa, Mudrā-pradarśana, Āvaraṇa-arcana, Homa, Japa, and Kṣamāpaṇa
कवचेनावगुंठ्याथ रक्षेदस्त्रेण तत्पुनः । चिंतयित्वेष्टदेवं च ततो मुद्राः प्रदर्शयेत् ॥ १९ ॥
kavacenāvaguṃṭhyātha rakṣedastreṇa tatpunaḥ | ciṃtayitveṣṭadevaṃ ca tato mudrāḥ pradarśayet || 19 ||
继而以护甲真言（kavaca）覆护自身，再以武器真言（astra）复加守护。观想自所奉之本尊（iṣṭa-deva）之后，当示现诸手印（mudrā）。
Sanatkumara (in instruction to Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: vira
FAQs
It teaches that spiritual practice is both inner and outer: the rite is protected through kavaca and astra-mantra while its power is awakened by focused meditation on one’s iṣṭa-devatā, culminating in mudrās that “seal” intention and invoke divine presence.
Bhakti is emphasized through iṣṭa-devatā-smaraṇa (meditation on the beloved chosen form of the Divine); ritual actions are presented as supports that stabilize devotion and concentration rather than replacing heartfelt remembrance.
It highlights applied ritual discipline—mantra-prayoga (use of kavaca and astra-mantra) and mudrā-vidhi—skills associated with technical liturgical knowledge used to protect and complete Vedic/Puranic rites correctly.
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