The Explanation of Sandhyā and Related Daily Observances
Saṅdhyā-ādi Nitya-karma-Vidhi
लक्ष्मीयुतं विद्युदाभं बहुभूषायुतं भजेत् । एवं ध्यात्वा न्यसेच्छक्तिं श्रीकामपुटिताक्षरम् 1. ॥ १०० ॥
lakṣmīyutaṃ vidyudābhaṃ bahubhūṣāyutaṃ bhajet | evaṃ dhyātvā nyasecchaktiṃ śrīkāmapuṭitākṣaram 1. || 100 ||
应当礼敬(观修)与吉祥天女拉克希米(Lakṣmī)相伴的本尊,光辉如闪电,佩戴众多庄严饰物。如此观想之后,当以由“室利(Śrī)”与“迦摩(Kāma)”诸咒所封护之音节/字母,行持圣力(Śakti)安置法(nyāsa)。
Narada (instructional passage within a technical/ritual section, traditionally framed in dialogue with Sanatkumara lineage)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It links inner visualization (dhyāna) with outer/ritual installation (nyāsa), teaching that divine power (Śakti) is awakened by contemplating a Lakṣmī-sahita, radiant form and then sealing the mantra-syllables with auspicious forces (Śrī and Kāma).
Bhakti here is expressed as reverent contemplation of the deity’s auspicious attributes—Lakṣmī, brilliance, ornaments—followed by disciplined mantra-practice, showing devotion as both love-filled remembrance and precise sādhana.
It highlights ritual-technical knowledge used in mantra practice—especially nyāsa (placing/installation of mantra-śakti) and puṭita-akṣara (mantric ‘encasing’ of syllables), a procedural aspect aligned with applied śāstra/ritual methodology.