Mantraśodhana, Dīkṣā-krama, Guru-Pādukā, Ajapā-Haṃsa, and Ṣaṭcakra-Kuṇḍalinī Sādhana
अनाहतेऽर्कपत्रे च कादिठांतार्णसंयुते । शुक्ले शूलाभयवरसधाकलशधारिणे ॥ ८७ ॥
anāhate'rkapatre ca kādiṭhāṃtārṇasaṃyute | śukle śūlābhayavarasadhākalaśadhāriṇe || 87 ||
于阿那哈塔(心莲)中,在如日之莲叶上,配合自“ka”至“ṭha”的种子音节,当观想皎白光耀之神:执三叉戟,现无畏与施愿之印,并持甘露(amṛta)之瓶。
Sanatkumara (teaching Narada the technical procedure of mantra-nyasa/dhyana)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It instructs a heart-centered (Anāhata) meditation where sacred syllables (varṇas) are ritually placed (nyāsa) and the deity is visualized with protective and grace-bestowing attributes, indicating inner purification and focused devotion.
By prescribing a clear dhyāna—visualizing a compassionate, boon-giving, fear-dispelling form—the verse channels emotion and attention into reverent contemplation, a core method for stabilizing bhakti in ritual practice.
It reflects mantra-śāstra/ritual application closely tied to phonetics and syllabic order (Śikṣā and Vyākaraṇa in practice), using an akṣara-group (‘ka’ to ‘ṭha’) for nyāsa as a technical aid in worship.