Bhakti-Śraddhā-Ācāra-Māhātmya and the Commencement of the Mārkaṇḍeya Narrative
अश्रुभिः क्षालयंस्तस्य चरणौ हर्षसंभवैः । शिरस्यञ्चलिमाधाय स्तोतुं समुपचक्रमे ॥ ८२ ॥
aśrubhiḥ kṣālayaṃstasya caraṇau harṣasaṃbhavaiḥ | śirasyañcalimādhāya stotuṃ samupacakrame || 82 ||
他以喜悦所生的泪水洗濯主的莲足,又将合十之手置于头顶,随即开始颂赞。
Sūta (narrator) describing the devotee’s act of reverence within the Narada–Sanatkumāra dialogue frame
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: karuna
It presents bhakti as embodied reverence: joy-born tears sanctify the act of serving the revered one’s feet, and añjali on the head expresses complete surrender before beginning praise.
Bhakti is shown as heartfelt and physical service (pāda-sevā) joined with humility (añjali) and then expressed as stotra—devotion moving from inner emotion to disciplined worship.
No specific Vedāṅga (like Vyākaraṇa or Jyotiṣa) is taught in this verse; it instead highlights ritual etiquette (ācāra) associated with respectful worship and the proper commencement of hymns.