The Greatness of Viṣṇu
Uttaṅka’s Hymn, Hari’s Manifestation, and the Boon of Bhakti
सहस्रशीर्षं च सहस्रपादं सहस्राबाहुं च सहस्रनेत्रम् । समस्तयज्ञैः परिजुष्टमाद्यं नतोस्मि तुष्टिप्रदमुग्रवीर्यम् ॥ ३४ ॥
sahasraśīrṣaṃ ca sahasrapādaṃ sahasrābāhuṃ ca sahasranetram | samastayajñaiḥ parijuṣṭamādyaṃ natosmi tuṣṭipradamugravīryam || 34 ||
我顶礼那太初之主——千首、千足、千臂、千眼——一切祭祀皆能令其欢悦,赐予满足安宁,其威力雄猛而可畏。
Narada (in a hymn of praise within the Narada–Sanatkumara dialogue context)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
The verse presents the Supreme (Vishnu) as the all-pervading cosmic person and teaches that surrender (namaskāra) to Him—who is pleased by all sincere yajñas—bestows inner contentment (tuṣṭi) and spiritual steadiness.
By directly bowing to the Lord and praising His infinite attributes, the verse models bhakti as reverent remembrance and surrender; devotion is shown as a unifying act that can encompass ritual worship (yajña) while aiming at the Lord’s grace and inner fulfillment.
The verse emphasizes yajña as a disciplined Vedic practice (linked to Kalpa/Vedāṅga for ritual procedure) and uses established Vedic cosmic-person imagery, showing how correct ritual orientation culminates in devotion to the Supreme.