Gṛhastha-nitya-karman: Śauca, Sandhyā-vidhi, Pañca-yajña, and Āśrama-krama
ततो विसृज्य तां विप्र उत्तरे इति मंत्रतः । ब्रह्मणेशेन हरिणानुज्ञाता गच्छ सादरम् ॥ ६२ ॥
tato visṛjya tāṃ vipra uttare iti maṃtrataḥ | brahmaṇeśena hariṇānujñātā gaccha sādaram || 62 ||
随后,婆罗门啊,当以起首为“uttare…”之咒辞送释于她;并在恭敬领受梵天(Brahmā)、自在天(Īśa/Śiva)与诃利(Hari/Viṣṇu)的许可后,当怀敬意而行。
Narrator (Purāṇic voice, within the Narada Purana’s dialogue framework)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It emphasizes ritual and spiritual propriety: one should conclude an action by formally releasing what was invoked or engaged (visṛjya) through mantra, and proceed only after receiving divine sanction (anujñā) from the highest deities.
Bhakti is shown as reverent conduct—acting with humility (sādaram), honoring Hari alongside other deities, and treating divine permission as central rather than personal impulse.
Mantra-prayoga (application of mantra) and ritual sequencing are implied—knowing when to recite a mantra for dismissal/release and how to conclude a rite with proper decorum, aligning with disciplines akin to Śikṣā (correct recitation) and Kalpa (ritual procedure).