Narada Purana — Purva Bhaga, Shloka 59
Śuka’s Yoga-ascent, the Echo of ‘Bhoḥ’, and the Vaikuṇṭha Vision
श्रीशाय श्रीनिवासाय भक्तवश्याय शार्ङ्गिणे । अष्टप्रकृत्यधीशाय ब्रह्मणेऽनंतसक्तये ॥ ५९ ॥
śrīśāya śrīnivāsāya bhaktavaśyāya śārṅgiṇe | aṣṭaprakṛtyadhīśāya brahmaṇe'naṃtasaktaye || 59 ||
礼敬吉祥女神室利之主（Śrīśa），礼敬室利之所依（Śrīnivāsa）；礼敬为奉爱者之奉爱（bhakti）所感而俯就者；礼敬执持娑尔恩伽弓（Śārṅga）者；礼敬统御八种原质（Prakṛti）者；礼敬梵（Brahman）——其神力无尽无边。
Narada (as a hymn of praise within the Moksha Dharma discourse, addressed to Vishnu)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta (wonder)
FAQs
It identifies Viṣṇu as both personal Lord (Śrīnivāsa, Śārṅgin) and impersonal Absolute (Brahman), teaching that liberation (mokṣa) is grounded in devotion to the Supreme who transcends and governs material nature.
By calling the Lord bhaktavaśya—“won over by devotees”—the verse emphasizes that sincere bhakti, not mere austerity or intellectualism, is the decisive means to approach the Supreme in Mokṣa-dharma.
No specific Vedāṅga technique is taught in this verse; however, it models correct mantra-style stuti usage (clear epithets and theological identifiers), which supports disciplined recitation and ritual praise within dharma practice.