Jyotiṣa-saṅgraha: Varga-vibhāga, Bala-nirṇaya, Garbha-phala, Āyuḥ-gaṇanā
चित्रः कृष्णः पीतपिंगौ बभ्रुः स्वच्छः प्रभाक्रियात् । साम्याशाख्यप्लवत्वं स्याद्द्वितीये वशिरर्कभात् ॥ १३ ॥
citraḥ kṛṣṇaḥ pītapiṃgau babhruḥ svacchaḥ prabhākriyāt | sāmyāśākhyaplavatvaṃ syāddvitīye vaśirarkabhāt || 13 ||
或斑斓、或幽黑、或黄褐、或褐色、或澄明——皆随自性光辉(内在能量)之运作而现。至第二阶段,则生平等(sāmya)、不可名状(aśākhya)与能浮能渡之力(plavatva),宛如沐日辉而光明。
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It presents a diagnostic of inner transformation: changing “colors” symbolize shifting mental-energetic conditions, while the second stage is marked by equanimity and an inexpressible clarity that helps one ‘cross over’ bondage.
Though framed in contemplative language, it supports Bhakti by showing the fruit of purified devotion—inner luminosity, steadiness, and a calm mind—conditions in which remembrance of the Lord becomes effortless and unwavering.
It most closely echoes Jyotiṣa-style observational language (signs/indicators), but applied inwardly: appearances are treated as lakṣaṇas (marks) of subtle states, guiding disciplined practice toward sāmya (equanimity) and clarity.
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