Adhyaya 8 — Harishchandra’s Trial: Truth, the Sale of Family, and Bondage to a Chandala
तथास्य नासिका तुङ्गा अग्रतोऽधोमुखं गता ।
दन्ताश्च मुकुलप्रख्याः ख्यातकीर्तेर्महात्मनः ॥
tathāsya nāsikā tuṅgā agrato 'dhomukhaṃ gatā |
dantāś ca mukula-prakhyāḥ khyāta-kīrter mahātmanaḥ ||
而他的鼻梁高挺,前端微微下垂;他的牙齿如花蕾初绽——这些正是那位大心之人、声名显赫者的相貌特征。
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Even in extreme reversal, the narrative insists on continuity: the same person endures beneath altered circumstances, inviting reflection on the difference between essence and social appearance.
Not directly pañcalakṣaṇa; it supports vaṃśānucarita-style moral biography by grounding the king’s identity in concrete narrative detail.
Lakṣaṇas (marks) can be read as ‘saṃskāra-signatures’: the past (kīrti, merit, identity) leaves impressions that are not erased by present suffering.