देवैर्विष्णोः शरणागमनम्—शिवलिङ्गस्थापनं, शिवसहस्रनामस्तवः, सुदर्शनचक्रप्रदानं च
आज्ञाधरस्त्रिशूली च शिपिविष्टः शिवालयः वालखिल्यो महाचापस् तिग्मांशुर् निधिर् अव्ययः
ājñādharastriśūlī ca śipiviṣṭaḥ śivālayaḥ vālakhilyo mahācāpas tigmāṃśur nidhir avyayaḥ
祂是承持神圣敕令者,是持三叉戟者;是遍入一切形相的遍在者;亦是吉祥之所依、湿婆之居。祂是瓦拉奇利耶(Vālakhilya)——微细胜于微细者;大弓之射者;锐光炽烈、焚尽垢染者;一切圆满之宝藏;并为不坏者——帕提(Pati),永不为系缚(pāśa)所触及。
Suta Goswami (narrating Shiva Sahasranama to the sages of Naimisharanya)
These names teach the upāsaka to worship the Linga as Pati—the imperishable Lord who pervades all (śipiviṣṭa) and yet remains the inner refuge (śivālaya), making Linga-pūjā a direct approach to the all-pervading Shiva.
Shiva is portrayed as sovereign over cosmic order (ājñādhara), immanent in all beings (śipiviṣṭa), and transcendent/unchanging (avyaya)—the repository of power and grace (nidhi) who alone can cut the paśu’s bondage (pāśa).
It supports Pashupata-style meditation (dhyāna) on Shiva’s epithets—contemplating the Triśūlī as the destroyer of impurities and the Tigmāṃśu as the inner fire that burns mala—paired with mantra-japa of the Sahasranāma during Linga-pūjā.