Nārada Sees Lord Kṛṣṇa’s Yoga-māyā in the Palaces of the Queens
Dvāra-kā-līlā
तस्यामन्त:पुरं श्रीमदर्चितं सर्वधिष्ण्यपै: । हरे: स्वकौशलं यत्र त्वष्ट्रा कार्त्स्न्येन दर्शितम् ॥ ७ ॥ तत्र षोडशभि: सद्मसहस्रै: समलङ्कृतम् । विवेशैकतोमं शौरे: पत्नीनां भवनं महत् ॥ ८ ॥
tasyām antaḥ-puraṁ śrīmad arcitaṁ sarva-dhiṣṇya-paiḥ hareḥ sva-kauśalaṁ yatra tvaṣṭrā kārtsnyena darśitam
在那里,这片区域由绍利——奎师那——诸王后的“一万六千座宫殿”装点得无比壮丽。那罗陀牟尼进入其中一座宏大的宫殿——在此,哈利主的神圣富饶与奉献者的福分熠熠生辉。
Śrīla Jīva Gosvāmī points out that Tvaṣṭā, Viśvakarmā, manifested the expertise of the Supreme Lord, and thus he was able to build such exquisite palaces. Śrīla Prabhupāda writes: “The great kings and princes of the world used to visit these palaces just to worship [Lord Kṛṣṇa]. The architectural plans were made personally by Viśvakarmā, the engineer of the demigods, and in the construction of the palaces he exhibited all of his talents and ingenuity.”
This verse says Krishna’s inner palace was supremely splendid and honored by divine guardians, with Tvaṣṭā fully manifesting Hari’s extraordinary artistry there.
Tvaṣṭā is invoked as the divine craftsman to emphasize that even celestial-level craftsmanship was employed to display Krishna’s own supreme skill and glory in Dvārakā.
It encourages seeing beauty and excellence as ultimately belonging to Hari, cultivating gratitude and devotional remembrance rather than pride in material opulence.