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Agni Purana — Kosha, Shloka 2

Chapter 364 — ब्रह्मवर्गः

Brahmavarga: Lexical Classification of Brahminical/Ritual Terms

यष्टा च यजमानः स्यात् ज्ञात्वारम्भ उपक्रमः सतीर्थ्याश् चैकगुरवः सभ्याः सामाजिकास् तथा

yaṣṭā ca yajamānaḥ syāt jñātvārambha upakramaḥ satīrthyāś caikaguravaḥ sabhyāḥ sāmājikās tathā

行祭者(yaṣṭā)应当就是祭主(yajamāna,委托并资助仪式者),先已明了事业之正当开端与施行次第。并应具备同学/同仪之伴侣、同一师承者,以及会众中博学之成员与诸司仪参与者等。

यष्टाthe sacrificer (one who performs the sacrifice)
यष्टा:
Karta (कर्ता)
TypeNoun
Rootयष्टृ (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; agent-noun (कर्तृवाचक)
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय (conjunction)
यजमानःthe yajamāna (sacrificial patron)
यजमानः:
Karta (कर्ता)
TypeNoun
Rootयजमान (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन; ritual patron (यज्ञस्य स्वामी)
स्यात्should be / may be
स्यात्:
Kriya (क्रिया)
TypeVerb
Rootअस् (धातु)
Formविधिलिङ् (optative), प्रथमपुरुष, एकवचन; परस्मैपद
ज्ञात्वाhaving known
ज्ञात्वा:
Kriya (क्रिया)
TypeVerb
Rootज्ञा (धातु)
Formक्त्वान्त (absolutive/gerund), अव्ययीभाव-प्रायः; ‘having known’
आरम्भःbeginning / commencement
आरम्भः:
Karta (कर्ता)
TypeNoun
Rootआरम्भ (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन
उपक्रमःprocedure / undertaking / initial step
उपक्रमः:
Karta (कर्ता)
TypeNoun
Rootउपक्रम (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन
सतीर्थ्याःcompanions/associates (of the same rite)
सतीर्थ्याः:
Karta (कर्ता)
TypeNoun
Rootसतीर्थ्य (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन; ‘same-ritual/associated fellows’
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय (conjunction)
एकगुरवःthose having one teacher
एकगुरवः:
Karta (कर्ता)
TypeNoun
Rootएक + गुरु (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन; षष्ठी-तत्पुरुषः/निर्देशः ‘एकः गुरु: यस्य/येषाम्’ (having one teacher)
सभ्याःmembers of the assembly
सभ्याः:
Karta (कर्ता)
TypeNoun
Rootसभ्य (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन
सामाजिकाःcompanions / participants
सामाजिकाः:
Karta (कर्ता)
TypeNoun
Rootसामाजिक (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), बहुवचन
तथाlikewise / also
तथा:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootतथा (अव्यय)
Formअव्यय; प्रकारवाचक/समुच्चयार्थ (adverb: ‘thus/also’)

Lord Agni (in discourse to sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Dharmashastra","secondary_vidya":"Samanya","practical_application":"Constitute the yajña’s human framework correctly: the yajamāna as patron-performer, with properly trained peers and a competent sabhā to ensure procedural correctness and social-ritual legitimacy.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Yajamāna and Sabhā Requirements at Yajña Commencement","lookup_keywords":["yajamāna","ārambha-upakrama","sabhya","sāmājika","satīrthya"],"quick_summary":"The rite should be initiated only after understanding the correct commencement-protocol, with the yajamāna as the responsible patron and a qualified peer-group and assembly to witness and support the ritual."}

Concept: Ritual efficacy depends on right agency (yajamāna) and right community (qualified peers and sabhā) aligned to proper procedure.

Application: Before any major rite, verify eligibility, training-lineage, and the presence of competent witnesses/participants to prevent doṣa (ritual fault).

Khanda Section: Dharma-shastra / Śrauta-Smārta Karma (Yajña-vidhi and ritual protocol)

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A yajña pavilion at the moment of commencement: the yajamāna seated with ritual peers (satīrthya, ekaguru) and an assembly of learned sabhyas and participants arranged formally around the altar space.","kerala_mural_prompt":"Kerala temple mural style, yajña-śālā interior, yajamāna in white garments with sacred thread, learned sabhyas seated in rows, palm-leaf manuscripts, calm ochre-red palette, stylized faces, ritual vessels near the altar, symmetrical composition","tanjore_prompt":"Tanjore painting, yajña commencement scene with yajamāna enthroned on a low seat, sabhā arranged around, rich textiles, gold-leaf highlights on ritual vessels and canopy borders, deep reds and greens, ornate frame","mysore_prompt":"Mysore painting, instructional depiction of yajña assembly layout, labeled positions for yajamāna and sabhyas, delicate linework, muted colors, emphasis on orderly seating and protocol","mughal_miniature_prompt":"Mughal miniature, court-like ritual assembly in a pavilion, yajamāna and scholars in discussion, fine architectural details, patterned carpets, precise facial portraiture, subdued yet intricate palette"}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Shri","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: सतीर्थ्याश् → सतीर्थ्याः (श् + च → ः/श्च); चैकगुरवः → च + एकगुरवः.

Related Themes: Agni Purana 364.3; Agni Purana 364.6

A
Agni
Y
Yajamāna
S
Sabhyāḥ
S
Sāmājikāḥ

FAQs

It specifies ritual governance: the yajña should be led by a properly informed yajamāna/performer who knows the correct commencement (ārambha) and procedural sequence (upakrama), and it recognizes required/appropriate categories of accompanying learned and communal participants.

Beyond theology, it preserves practical dharma and yajña-administration—defining roles (yajamāna, sabhya, sāmājika) and procedural competence—showing the Purāṇa’s coverage of ritual law and social-ritual institutions.

Correct initiation and procedure, undertaken by a qualified patron/performer with proper witnesses and participants, safeguards the rite from defects (doṣa) and supports the intended merit (puṇya) and purification (śuddhi) of the sacrifice.