Agni Purana — Agneya-vidya, Shloka 57
Dīkṣāvidhi-kathana
Explanation of the Rite of Initiation
अङ्गैर् आराध्य मन्त्रस्य नीत्वा तत्त्वगणं समं क्रमादेवं विशोध्यान्ते सर्वसिद्धिसमन्वितं
aṅgair ārādhya mantrasya nītvā tattvagaṇaṃ samaṃ kramādevaṃ viśodhyānte sarvasiddhisamanvitaṃ
以诸支分仪轨（aṅga）奉事真言，并使诸 tattva 之聚归于均衡，当如是循序净化；终则具足一切成就（siddhi）。
Lord Agni (teaching the ritual-mantric procedure to Sage Vasiṣṭha)
Vidya Category: {"primary_vidya":"Tantra","secondary_vidya":"Mantra","practical_application":"Mantra-sadhana using aṅga-nyāsa/karanyāsa, tattva-śuddhi, and stepwise internal purification to stabilize the practitioner’s psycho-physical field for siddhi-oriented practice.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Aṅga-ārādhana and Tattva-śodhana leading to Siddhi","lookup_keywords":["aṅga-ārādhana","tattva-śodhana","siddhi","mantra-sādhana","krama-śuddhi"],"quick_summary":"Worship the mantra through its prescribed ritual limbs, equalize the tattva-group, and purify them sequentially; completion is said to culminate in siddhi-readiness and attainment."}
Concept: Tattva-sāmya (equilibrium of principles) and krama-śuddhi (graded purification) as prerequisites for mantra-siddhi.
Application: Use a staged inner practice: stabilize (sāmya) before intensifying mantra-japa/homa; treat ‘siddhi’ as the fruit of disciplined purification rather than mere repetition.
Khanda Section: Puja-vidhi / Mantra-sadhana (Agneya-vidya)
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A guru-led inner ritual: the sādhaka seated in padmāsana, performing aṅga-nyāsa while subtle tattva-circles (bhūta, indriya, manas, etc.) are shown being aligned and purified in ascending order, culminating in a radiant siddhi-aura.","kerala_mural_prompt":"Kerala temple mural style, flat yet vibrant colors, guru and sādhaka seated on a ritual mat, hands in nyāsa mudrā, subtle concentric tattva-lotus diagram behind the body, sacred fire lamp nearby, calm adbhuta mood.","tanjore_prompt":"Tanjore painting, central sādhaka with halo, gold-leaf detailing on mantra-bīja glyphs and tattva-lotus rings, small guru figure instructing, ornate borders, emphasis on ‘siddhi’ radiance.","mysore_prompt":"Mysore painting style, fine linework, instructional depiction of aṅga-nyāsa positions on the body with labeled tattva-lotus nodes, subdued palette, precise ritual implements.","mughal_miniature_prompt":"Mughal miniature, intimate indoor shrine setting, guru and disciple, delicate depiction of subtle energy as translucent colored circles, manuscript-like margins with mantra syllables, refined detailing."}
Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: अङ्गैर्→अङ्गैः (visarga sandhi); क्रमादेवं→क्रमात् एवम्; विशोध्यान्ते→विशोध्य अन्ते; सर्वसिद्धिसमन्वितं→सर्वसिद्धि-समन्वितम् (compound).
Related Themes: Agni Purana 27 (Pūjā-vidhi: nyāsa, aṅga, śuddhi, dīkṣā context)
FAQs
It teaches mantra-sādhana methodology: propitiating a mantra via its aṅga-practices (auxiliary limbs like nyāsa and related rites) and performing kramic (stepwise) tattva-śodhana to stabilize the inner principles for mantra-perfection.
It exemplifies the Agni Purana’s practical ritual-technology—mapping inner metaphysical categories (tattvas) to applied worship procedures—showing how the text integrates philosophy, yoga-like purification, and temple/household mantra-ritual into a single operational framework.
By balancing and purifying the tattvas through disciplined mantra-aṅga practice, the practitioner removes inner impurity and obstruction, culminating in siddhi—religiously framed as the fruition of purified intention, correct method, and sustained devotion.