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Agni Purana — Agneya-vidya, Shloka 13

Dīkṣāvidhi-kathana

Explanation of the Rite of Initiation

प्रक्षाल्यालिप्य तत् कुर्यादूर्ध्वपुण्ड्रं तु भस्मना नारायणेन पार्श्वेषु चरुमेवं सुसंस्कृतं

prakṣālyālipya tat kuryādūrdhvapuṇḍraṃ tu bhasmanā nārāyaṇena pārśveṣu carumevaṃ susaṃskṛtaṃ

先洗净而后涂抹,应以圣灰画出竖向宗派印记(ūrdhva-puṇḍra);并在其两侧书写“那罗延那”(Nārāyaṇa)。如此则仪轨得以如法净化与加持。

प्रक्षाल्यhaving washed
प्रक्षाल्य:
क्रियाविशेषण (Adverbial/क्रियाविशेषण)
TypeVerb
Rootप्र+√क्षल् (धातु)
Formक्त्वान्त (absolutive), अव्ययभाव; having washed
आलिप्यhaving smeared
आलिप्य:
क्रियाविशेषण (Adverbial/क्रियाविशेषण)
TypeVerb
Rootआ+√लिप् (धातु)
Formक्त्वान्त (absolutive), अव्ययभाव; having smeared/anointed
तत्that (it)
तत्:
कर्म (Object/कर्म)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; Pronoun, Accusative singular
कुर्यात्should make/do
कुर्यात्:
क्रिया (Action/क्रिया)
TypeVerb
Root√कृ (धातु)
Formविधिलिङ् (optative), प्रथमपुरुष, एकवचन; should do/make
ऊर्ध्वपुण्ड्रम्the vertical tilaka mark
ऊर्ध्वपुण्ड्रम्:
कर्म (Object/कर्म)
TypeNoun
Rootऊर्ध्व + पुण्ड्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; Accusative singular; समासः—तत्पुरुष (ऊर्ध्वं पुण्ड्रं)
तुbut/indeed
तु:
सम्बन्ध (Particle/निपात)
TypeIndeclinable
Rootतु (अव्यय)
Formनिपात (particle), विरोध/विशेषार्थ
भस्मनाwith ash
भस्मना:
करण (Instrument/करण)
TypeNoun
Rootभस्मन् (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति, एकवचन; Instrumental singular
नारायणेनwith (the mantra/name) Nārāyaṇa
नारायणेन:
करण (Instrument/करण)
TypeNoun
Rootनारायण (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, एकवचन; Instrumental singular
पार्श्वेषुon the sides
पार्श्वेषु:
अधिकरण (Location/अधिकरण)
TypeNoun
Rootपार्श्व (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति, बहुवचन; Locative plural
चरुम्the cooked oblation (caru)
चरुम्:
कर्म (Object/कर्म)
TypeNoun
Rootचरु (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन; Accusative singular
एवम्thus, in this way
एवम्:
क्रियाविशेषण (Adverbial/क्रियाविशेषण)
TypeIndeclinable
Rootएवम् (अव्यय)
Formअव्यय, प्रकारवाचक (manner adverb)
सुसंस्कृतम्well-prepared, well-consecrated
सुसंस्कृतम्:
कर्म (Object-qualifier/कर्मविशेषण)
TypeAdjective
Rootसु + संस्कृत (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; Accusative singular (qualifying चरुम्)

Lord Agni (in discourse to Sage Vasiṣṭha)

Vidya Category: {"primary_vidya":"Dharmashastra","secondary_vidya":"Mantra","practical_application":"Daily/initiatory Vaishnava śauca and sectarian marking: washing, anointing, applying ūrdhva-puṇḍra with bhasma, and writing ‘Nārāyaṇa’ on the sides to formalize identity, purity, and eligibility for worship.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Ūrdhva-puṇḍra with bhasma and Nārāyaṇa-nāma-lekha","lookup_keywords":["ūrdhva-puṇḍra","bhasma-dhāraṇa","Nārāyaṇa","tilaka","śauca"],"quick_summary":"After washing and anointing, apply the vertical Vaishnava mark using sacred ash and inscribe ‘Nārāyaṇa’ on both sides—this completes the sanctifying rite for worship."}

Concept: Bāhya-śuddhi and bhakti-cihna: bodily marks as reminders of inner dedication and as ritual qualification.

Application: Before pūjā, maintain cleanliness and apply sectarian marks with correct materials and mantra/nāma to stabilize attention and observance.

Khanda Section: Puja-vidhi (Vaishnava tilaka and bhasma-dharana rites)

Primary Rasa: shanta

Secondary Rasa: bhakti

Visual Art Cues: {"scene_description":"A devotee, freshly washed, applies a vertical tilaka with sacred ash on the forehead and writes ‘Nārāyaṇa’ on both sides, with a small pūjā tray nearby.","kerala_mural_prompt":"Kerala mural, close-up devotional portrait, forehead with crisp ūrdhva-puṇḍra in pale ash tone, stylized script ‘Nārāyaṇa’ flanking, oil-lamp and conch on a small tray, bold outlines and traditional color blocks.","tanjore_prompt":"Tanjore style bust portrait, gold-leaf halo, devotee applying bhasma tilaka, ornate jewelry, ‘Nārāyaṇa’ rendered as decorative side inscriptions, rich textile patterns, embossed gold accents.","mysore_prompt":"Mysore painting, step-by-step depiction: washing, anointing, applying ūrdhva-puṇḍra with bhasma, writing ‘Nārāyaṇa’ on both sides; clean composition, soft pastel palette, instructional clarity.","mughal_miniature_prompt":"Mughal miniature, intimate interior with mirror and pūjā items, devotee applying ash tilaka, fine calligraphy for ‘Nārāyaṇa’ on either side, delicate shading and architectural detail."}

Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Kalyani","pace":"slow","voice_tone":"devotional"}

Sandhi Resolution Notes: प्रक्षाल्यालिप्य = प्रक्षाल्य + आलिप्य; कुर्यादूर्ध्वपुण्ड्रं = कुर्यात् + ऊर्ध्वपुण्ड्रम्; चरुमेवं = चरुम् + एवम्

Related Themes: Agni Purana 27 (Pūjā-vidhi: tilaka/bhasma section)

N
Nārāyaṇa
B
Bhasma
Ū
Ūrdhva-puṇḍra

FAQs

It teaches a precise puja-vidhi: cleanse and anoint, apply the ūrdhva-puṇḍra using bhasma, and place the name ‘Nārāyaṇa’ on the sides to complete the sanctified devotional marking.

It preserves a practical, step-by-step liturgical detail (body-marking, mantra placement, and purification sequence), showing how the Agni Purana functions as a manual of ritual technology alongside its many other domains.

The act links bodily purity (washing/anointing) with devotional identification (ūrdhva-puṇḍra and Nārāyaṇa-name), marking the practitioner as consecrated for worship and reinforcing remembrance of Viṣṇu as a purifying merit-bearing discipline.