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Varaha Purana 3.5 — Adhyaya 3, Shloka 5

Nārada’s Account of a Former Birth and a Hymn to Nārāyaṇa

ततो ध्यातं मयैकान्ते किमनेन करोम्यहम् । द्वन्द्वेन सर्वमेतद्धि न्यस्त्वा पुत्रेषु याम्यहम् । तपसे धृतसङ्कल्पः सरः सारस्वतं द्रुतम् ॥ ३.५ ॥

tato dhyātaṃ mayaikānte kimanena karomy aham | dvandvena sarvam etaddhi nyastvā putreṣu yāmy aham | tapase dhṛtasaṅkalpaḥ saraḥ sārasvataṃ drutam || 3.5 ||

Rồi trong chốn tĩnh lặng, thần tự suy niệm: “Ta sẽ làm gì với những điều này? Quả thật tất cả đều bị ràng buộc bởi các cặp đối đãi (dvandva). Ta sẽ giao phó cho các con và ra đi.” Với quyết tâm hành khổ hạnh, thần mau chóng đến hồ Sārasvata.

ततःthen/thereafter
ततः:
Kala-adhikarana (काल-अधिकरण)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय; तस्मात्-आर्थक (thereafter/from then)
ध्यातम्was contemplated
ध्यातम्:
Kriya (क्रिया/Impersonal predicate)
TypeNoun
Rootध्यात (कृदन्त; ध्यै धातोः क्त)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; क्त-प्रत्ययान्त, भावे/कर्मणि प्रयोगः (‘it was thought/meditated’)
मयाby me
मया:
Kartr-karana (कर्तृ-करण/Agent in passive)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formतृतीया (3rd/Instrumental), एकवचन (Singular)
एकान्तेin solitude
एकान्ते:
Adhikarana (अधिकरण)
TypeNoun
Rootएकान्त (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th/Locative), एकवचन (Singular)
किम्what
किम्:
Karma (कर्म)
TypeNoun
Rootकिम् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन (interrogative)
अनेनwith this
अनेन:
Karana (करण)
TypeNoun
Rootइदम् (सर्वनाम-प्रातिपदिक)
Formपुं/नपुंसकलिङ्ग, तृतीया (3rd/Instrumental), एकवचन (Singular)
करोमिdo
करोमि:
Kriya (क्रिया)
TypeVerb
Rootकृ (धातु)
Formलट् (Present), उत्तमपुरुष (1st person), एकवचन (Singular), परस्मैपद
अहम्I
अहम्:
Karta (कर्ता)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formप्रथमा (1st/Nominative), एकवचन (Singular)
द्वन्द्वेनby dualities/conflict
द्वन्द्वेन:
Karana (करण)
TypeNoun
Rootद्वन्द्व (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (3rd/Instrumental), एकवचन (Singular)
सर्वम्all
सर्वम्:
Karma (कर्म)
TypeNoun
Rootसर्व (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन (Singular)
एतत्this
एतत्:
Karma (कर्म)
TypeNoun
Rootएतद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन (Singular)
हिindeed
हि:
Sambandha (Discourse particle)
TypeIndeclinable
Rootहि (अव्यय)
Formनिपात (particle)
न्यस्त्वाhaving entrusted/placed aside
न्यस्त्वा:
Purvakala-kriya (पूर्वकाल-क्रिया)
TypeVerb
Rootनि-स्था/न्यस् (धातु; √स्था with नि, absolutive)
Formक्त्वान्त अव्यय (Gerund/Absolutive) from नि + √स्था (‘to place/entrust’)
पुत्रेषुamong/on (my) sons
पुत्रेषु:
Adhikarana (अधिकरण)
TypeNoun
Rootपुत्र (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी (7th/Locative), बहुवचन (Plural)
यामिI go
यामि:
Kriya (क्रिया)
TypeVerb
Rootया (धातु)
Formलट् (Present), उत्तमपुरुष (1st person), एकवचन (Singular), परस्मैपद
अहम्I
अहम्:
Karta (कर्ता)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formप्रथमा (1st/Nominative), एकवचन (Singular)
तपसेfor austerity
तपसे:
Sampradana (सम्प्रदान/Goal)
TypeNoun
Rootतपस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, चतुर्थी (4th/Dative), एकवचन (Singular)
धृतसङ्कल्पःfirm in resolve
धृतसङ्कल्पः:
Visheshana (विशेषण)
TypeAdjective
Rootधृत (कृदन्त; धृ धातोः क्त) + सङ्कल्प (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन (Singular); धृतः सङ्कल्पः यस्य सः (बहुव्रीह्यर्थे), पदरचना तत्पुरुषवत्
सरःlake
सरः:
Karma (कर्म)
TypeNoun
Rootसरस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन (Singular)
सारस्वतम्Sarasvata (connected with Sarasvatī)
सारस्वतम्:
Visheshana (विशेषण)
TypeAdjective
Rootसारस्वत (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन (Singular)
द्रुतम्quickly
द्रुतम्:
Kriya-visheshana (क्रिया-विशेषण)
TypeIndeclinable
Rootद्रुत (कृदन्त; द्रु धातोः क्त)
Formअव्ययवत् क्रियाविशेषण (adverbial use of past participle)

Varāha (default dialogue framework; speaker not explicit in the fragment)

Varaha Avatara Context: {"is_varaha_focus":false,"aspect_highlighted":"None","boar_form_detail":"None","earth_interaction":"None"}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"None","bhu_devi_state":"None","key_question":"None"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"Sārasvata-saras (Sārasvata lake)","parikrama_context":"None (movement to the lake for tapas; no circumambulation stated)","krishna_connection":"None"}

Dharma Shastra: {"has_dharma_rule":true,"topic":"None","instruction_summary":"Renunciation is framed as discerning the bondage of dvandvas (pairs of opposites), entrusting worldly duties to heirs, and turning toward tapas at a sacred place.","karmic_consequence":"Choosing tapas and detachment leads toward purification and higher realization; clinging to dvandva-bound wealth sustains saṃsāra (implied)."}

Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}

Cosmic Boar Symbolism: {"has_symbolism":false,"symbolic_interpretation":"None","yajna_varaha_imagery":"None","vedantic_connection":"None"}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"sāṃkhya-vedānta flavored vairāgya","core_concept":"Worldly holdings are enmeshed in dvandvas; freedom begins with viveka (discrimination) and deliberate withdrawal into tapas.","practical_application":"Practice periodic solitude for self-inquiry; simplify responsibilities ethically (handover without harm); adopt disciplined austerities (fasting, japa, restraint) in a supportive sacred environment."}

Subject Matter: ["Ethics","Philosophical Renunciation","Sacred Geography"]

Primary Rasa: śānta

Secondary Rasa: vairāgya (śānta-bheda)

Type: tīrtha / saras

Related Themes: Varāha Purāṇa: tīrtha narratives where renunciation and tapas at lakes/forests yield spiritual fruits

Visual Art Cues: {"scene_description":"A ruler or noble figure alone in contemplation, then departing the palace after entrusting duties to sons; journey toward a tranquil lake suited for austerity.","item_prompts":["solitary figure in thought","palace with sons receiving responsibility","travel scene toward a lake","ascetic accessories (waterpot, staff)","quiet forest-lake setting"],"kerala_mural_prompt":"Kerala mural: two-panel narrative—court handover and forest-lake tapas departure; stylized trees and water; calm facial expressions emphasizing vairāgya.","tanjore_prompt":"Tanjore: central renunciant-figure with gold halo, palace vignette minimized; lake and forest rendered ornamentally; emphasis on resolve (dhṛta-saṅkalpa).","mysore_prompt":"Mysore: refined storytelling with gentle transitions; detailed garments shifting from royal to ascetic; serene lake with subtle reflections.","pahari_prompt":"Pahari: lyrical journey through landscape to a clear lake; small palace in background; emphasis on mood of leaving and quiet resolve."}

Audio Atmosphere: {"recitation_mood":"introspective and renunciatory","suggested_raga":"Todi","pace":"vilambita","voice_tone":"low, contemplative, with slight firmness on 'tapse dhṛta-saṅkalpaḥ'"}

C
Classical Literature
P
Purāṇic Narrative
V
Vaishnavism
A
Ancient Geography

FAQs

It preserves a Purāṇic narrative motif of withdrawal from household obligations—after delegating responsibilities to heirs—followed by movement toward a named tīrtha-like landscape (here, the Sārasvata lake), reflecting the text’s linkage of ethical life-stages with sacred geography.

The verse names “Sārasvata saraḥ” (Sārasvata lake), a toponym associated in Sanskrit literature with the Sarasvatī cultural-geographic sphere; precise modern identification varies across scholarly proposals due to the broad and shifting use of “Sārasvata/Sarasvatī” in sources.

The passage foregrounds detachment from dvandvas (pairs of opposites) and the ethical transition toward disciplined austerity (tapas) after responsibly transferring worldly duties—an articulation of renunciation framed as deliberate and accountable.

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