स्कन्दसरः (Skandasara) — तीर्थवर्णनम् / Description of the Skandasara Sacred Lake
जटाशिखायनैर्मुंडैस्त्रिपुंड्रकृतमंडनैः । विरागविवशस्मेरमुखैर्मुनिकुमारकैः
jaṭāśikhāyanairmuṃḍaistripuṃḍrakṛtamaṃḍanaiḥ | virāgavivaśasmeramukhairmunikumārakaiḥ
Ở đó có các sa-môn trẻ—kẻ búi tóc jata thành chỏm, kẻ cạo đầu—được trang sức bằng dấu tro ba vạch (tripuṇḍra). Gương mặt họ mang nụ cười hiền do ly tham, và họ đi lại trong sự chuyên chú vào hạnh xả ly.
Suta Goswami
Tattva Level: pashu
Shiva Form: Dakṣiṇāmūrti
Sthala Purana: The verse portrays muni-kumāras marked with tripuṇḍra—iconic of Śaiva ascetic culture rather than a specific Jyotirliṅga legend.
Significance: Tripuṇḍra and vairāgya indicate the soul’s turning from pāśa (bondage) toward pati (Śiva); such marks function as both identity and sādhana-support.
Type: stotra
Role: teaching
The verse highlights the outer and inner marks of a Shaiva life: tripuṇḍra (sacred ash) as a sign of dedication to Shiva, and a serene smile born of vairāgya (dispassion), indicating maturity toward liberation under Pati (Shiva) rather than bondage to pāśa (attachments).
Tripuṇḍra and ash are classic Shaiva identifiers connected with bhasma and temple/linga worship; they express devotion to Saguna Shiva (the worshipful Lord with attributes) while pointing inward to the purifying truth that all forms return to ash—supporting contemplation alongside ritual.
Wearing tripuṇḍra with bhasma as a daily Shaiva observance, coupled with cultivating vairāgya and steady yogic composure; this is naturally supported by japa of the Panchakshara mantra, “Om Namaḥ Śivāya,” even though it is not explicitly stated in this line.