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Shloka 139

The Manifestation of Viṣṇu’s Footprints: Vāmana–Trivikrama, Bāṣkali’s Subjugation, and the Rise of Viṣṇupadī

Gaṅgā

ये त्वया विजिताः पूर्वं दानवा बलवत्तराः । सहस्रांशेन तत्तुल्यो न भवामि कथंचन

ye tvayā vijitāḥ pūrvaṃ dānavā balavattarāḥ | sahasrāṃśena tattulyo na bhavāmi kathaṃcana

Bạch Ngài, những Dānava hùng mạnh mà Ngài đã khuất phục thuở trước—con tuyệt chẳng thể sánh, dẫu chỉ một phần nghìn cũng không bằng.

yewho (those who)
ye:
Karta (Subject/कर्ता)
TypeNoun
Rootyad (सर्वनाम)
FormMasculine, Nominative (1st/प्रथमा), Plural
tvayāby you
tvayā:
Karta (Agent/कर्ता in passive construction)
TypeNoun
Rootyuṣmad (सर्वनाम)
FormCommon Gender, Instrumental (3rd/तृतीया), Singular
vijitāḥconquered/defeated
vijitāḥ:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootvi + ji (धातु) + kta (प्रत्यय)
FormMasculine, Nominative (1st/प्रथमा), Plural (Past Passive Participle)
pūrvampreviously/before
pūrvam:
Adhikaraṇa (Time/कालाधिकरण)
TypeIndeclinable
Rootpūrva (अव्यय)
FormAdverb of time
dānavāḥDanavas (demons)
dānavāḥ:
Karma (Object/कर्म in passive construction)
TypeNoun
Rootdānava (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Plural
balavattarāḥstronger/very strong
balavattarāḥ:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootbalavat + tara (तद्धित)
FormMasculine, Nominative (1st/प्रथमा), Plural (Comparative Degree)
sahasrāṃśenaby a thousandth part
sahasrāṃśena:
Karana (Instrument/करण)
TypeNoun
Rootsahasra + aṃśa (प्रातिपदिक)
FormMasculine, Instrumental (3rd/तृतीया), Singular
tattulyaḥequal to them
tattulyaḥ:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Roottad + tulya (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular
nanot
na:
Nishedha (Negation/निषेध)
TypeIndeclinable
Rootna (अव्यय)
FormNegative Particle
bhavāmiI am/I become
bhavāmi:
Kriya (Action/क्रिया)
TypeVerb
Rootbhū (धातु)
FormLat Lakara (Present), Uttama Purusha (1st), Singular
kathaṃcanain any way/at all
kathaṃcana:
Kriyavisheshana (Adverb/क्रियाविशेषण)
TypeIndeclinable
Rootkathaṃcana (अव्यय)
FormAdverb

Unspecified (a subordinate or weaker being addressing a victorious hero)

Concept: True refuge begins with honest humility: recognizing one’s limits and the protector’s greatness dissolves pride and opens the door to grace.

Application: Admit when you are outmatched; seek help without shame, and cultivate gratitude toward those who protect and guide.

Primary Rasa: karuna

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A smaller, trembling figure kneels amid the dust of battle, hands folded, eyes lifted toward the approaching Indra. In the distance, the silhouettes of once-mighty dānavas loom like memories, while Indra’s presence—calm and commanding—turns fear into relief.","primary_figures":["Supplicant figure (unnamed)","Indra","Dānavas (as distant, fading threat)"],"setting":"Edge of a battlefield with broken standards and drifting dust; a clear corridor opens as the protector approaches.","lighting_mood":"golden dawn","color_palette":["warm gold","dusty ochre","sky blue","iron gray","white"],"tanjore_prompt":"Tanjore painting style: kneeling supplicant with folded hands before Indra, gold leaf halo around Indra, rich textiles and ornaments; background dānavas rendered smaller and subdued; ornate border emphasizing devotional humility.","pahari_prompt":"Pahari miniature style: intimate emotional scene with delicate faces; soft dawn light, pale blues and ochres; Indra approaching with composed posture, supplicant small in the foreground; lyrical negative space conveying surrender.","kerala_mural_prompt":"Kerala mural style: bold outlines, expressive eyes showing fear turning to trust; Indra in regal stance, simplified battlefield motifs; warm yellow-red tones with deep blue accents.","pichwai_prompt":"Pichwai cloth painting style: devotional composition with central Indra and a small kneeling figure; floral borders and lotus motifs framing the act of surrender; deep blue background with gold highlights, symmetrical calm."}

Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["soft temple bells","wind hush","distant drums fading","silence","gentle conch"]}

Sandhi Resolution Notes: balavattarāḥ + sahasrāṃśena (Visarga dropped); tattulyo (Visarga -> o); kathaṃcana (Anusvara handling)

D
Dānavas

FAQs

It conveys humility and self-assessment: the speaker admits they are far inferior in strength compared to the powerful Dānavas previously defeated by the addressee.

Dānavas are a class of Asura beings in Purāṇic literature, often portrayed as formidable opponents of the devas and divine-aligned heroes.

It highlights honest self-knowledge and respect for proven capability—recognizing another’s achievements without arrogance or exaggeration.