Devapūjā-krama: Ārghya-saṃskāra, Maṇḍala–Nyāsa, Mudrā-pradarśana, Āvaraṇa-arcana, Homa, Japa, and Kṣamāpaṇa
तवेयं हि महामूर्तिस्तस्यां त्वां सर्वगं प्रभो । भक्तिरेवहसमाकृष्टं दीपवत्स्थापयाम्यहम् ॥ ३८ ॥
taveyaṃ hi mahāmūrtistasyāṃ tvāṃ sarvagaṃ prabho | bhaktirevahasamākṛṣṭaṃ dīpavatsthāpayāmyaham || 38 ||
Hình tướng vĩ đại này quả thật là của Ngài; ô Đấng bao trùm muôn nơi, con an lập Ngài trong đó—chỉ nhờ lòng bhakti mà Ngài được kéo gần—như đặt ngọn đèn vào đúng chỗ của nó.
Narada (devotee-voice within the Narada–Sanatkumara dialogue framework)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches that although the Lord is all-pervading, the devotee can ‘install’ His presence in a sacred form through concentrated devotion, making worship intimate and steady.
Bhakti is presented as the sole attracting force—devotion ‘draws’ the omnipresent Lord into the worshipper’s focus, enabling heartfelt upāsanā of the divine form.
Ritual-practice (kalpa-style upāsanā) is implied: establishing the deity in a form for worship, with the key principle that inner bhakti is the essential efficacy behind the rite.