HomeVaraha PuranaAdhyaya 94Shloka 22
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Varaha Purana 94.22: Adhyaya 94, Shloka 22

The Birth of Mahiṣāsura and the Goddess’s Victory as Mahīṣamardinī

प्रणम्य देवीं सर्वेशीमुवाच च महातपाः । देवि देवैरहं प्रीतैः प्रेषितोऽस्मि तवान्तिकम् ॥

Sanskrit recitationVaraha Purana 94.22

praṇamya devīṃ sarveśīm uvāca ca mahātapāḥ | devi devair ahaṃ prītaiḥ preṣito ’smi tavāntikam

سب کی حاکمہ دیوی کو سجدۂ تعظیم کر کے اس عظیم ریاضت کار نے کہا: “اے دیوی، خوشنود دیوتاؤں نے مجھے تمہارے حضور بھیجا ہے۔”

प्रणम्यhaving bowed
प्रणम्य:
पूर्वकालक्रिया (Absolutive; prior action)
TypeIndeclinable
Rootप्र + नम् (धातु) + ल्यप् (कृत्)
Formल्यप्-प्रत्ययान्त अव्ययभाव (gerund), ‘having bowed’
देवीम्the goddess
देवीम्:
कर्म (Karma/Object)
TypeNoun
Rootदेवी (प्रातिपदिक)
Formद्वितीया (2nd/Accusative), एकवचन, स्त्रीलिङ्ग
सर्वेशीम्mistress of all
सर्वेशीम्:
विशेषण (Appositional epithet to ‘devīm’)
TypeNoun
Rootसर्व (प्रातिपदिक) + ईशि/ईशी (प्रातिपदिक)
Formषष्ठी-तत्पुरुष (सर्वेषाम् ईशी), द्वितीया एकवचन, स्त्रीलिङ्ग
उवाचsaid
उवाच:
क्रिया (Verb/Action)
TypeVerb
Rootवच् (धातु)
Formलिट् (Perfect), प्रथमपुरुष, एकवचन; परस्मैपद
and
:
सम्बन्ध (Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक अव्यय (conjunction)
महातपाःthe great ascetic
महातपाः:
कर्ता (Karta/Subject)
TypeNoun
Rootमहत् (प्रातिपदिक) + तपस् (प्रातिपदिक)
Formकर्मधारय-समास; प्रथमा एकवचन, पुल्लिङ्ग
देविO goddess
देवि:
सम्बोधन (Address)
TypeNoun
Rootदेवी (प्रातिपदिक)
Formसम्बोधन (Vocative), एकवचन, स्त्रीलिङ्ग
देवैःby the gods
देवैः:
करण (Karana/Instrument/Agent in passive sense)
TypeNoun
Rootदेव (प्रातिपदिक)
Formतृतीया (3rd/Instrumental), बहुवचन, पुल्लिङ्ग
अहम्I
अहम्:
कर्ता (Karta/Subject)
TypeNoun
Rootअस्मद् (सर्वनाम-प्रातिपदिक)
Formप्रथमा (1st/Nominative), एकवचन
प्रीतैःpleased
प्रीतैः:
विशेषण (Adjective)
TypeAdjective
Rootप्रीत (प्रातिपदिक; क्त from प्री)
Formतृतीया बहुवचन, पुल्लिङ्ग; विशेषणम् (to devaiḥ): ‘pleased’
प्रेषितःsent
प्रेषितः:
क्रियाविशेषण/विशेषण (predicate with ‘asmi’)
TypeAdjective
Rootप्र + इष् (धातु) + णिच्? (causative sense) + क्त (कृत्)
Formक्त-प्रत्ययान्त (PPP), प्रथमा एकवचन, पुल्लिङ्ग; ‘sent/dispatched’
अस्मिam
अस्मि:
क्रिया (Copula)
TypeVerb
Rootअस् (धातु)
Formलट् (Present), उत्तमपुरुष (1st person), एकवचन
तवyour
तव:
सम्बन्ध (Genitive relation)
TypeNoun
Rootयुष्मद् (सर्वनाम-प्रातिपदिक)
Formषष्ठी (6th/Genitive), एकवचन
अन्तिकम्to (your) presence / near you
अन्तिकम्:
गन्तव्य/कर्म (Goal as object of motion)
TypeNoun
Rootअन्तिक (प्रातिपदिक)
Formद्वितीया (2nd/Accusative), एकवचन, नपुंसकलिङ्ग; गत्यर्थे (as goal)

Nārada [implied by context]

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"attentive/receiving divine message"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"theology of mediation / dharmic polity","core_concept":"Right action proceeds through humility (praṇāma) and authorized speech; cosmic administration functions via emissaries aligned with dharma.","practical_application":"Before delivering consequential messages, ground oneself in humility and clarity of mandate; speak as a trustee, not as an ego-agent."}

Subject Matter: ["Ethics","Interworld Communication","Mythic Diplomacy"]

Primary Rasa: shanta

Secondary Rasa: adbhuta

Type: divine audience chamber

Related Themes: 94.94.27-28 (arrival and honoring)

Visual Art Cues: {"scene_description":"Nārada bows deeply before the goddess, hands folded; he then speaks formally, stating he has been sent by the pleased gods.","item_prompts":["añjali-mudrā","praṇāma posture","goddess as sarveśī with regal insignia","subtle presence of deva-emissary authority (scroll/gesture)","vīṇā resting beside Nārada"],"kerala_mural_prompt":"Kerala mural: dramatic bowing pose, bold contours; goddess enthroned with stylized ornaments; attendants in profile; vīṇā rendered iconically.","tanjore_prompt":"Tanjore: gold-leaf throne and halos; Nārada in devotional bow; rich reds and greens; embossed jewelry on the goddess.","mysore_prompt":"Mysore: nuanced facial expressions; soft lighting; detailed textiles; Nārada’s bow captured with graceful anatomy.","pahari_prompt":"Pahari: gentle devotional scene; minimal architecture; emphasis on gesture and eye-contact; delicate linework and pastel palette."}

Audio Atmosphere: {"recitation_mood":"solemn, respectful","suggested_raga":"Yaman","pace":"medium-slow","voice_tone":"steady, dignified"}

C
Classical Literature
P
Purāṇic Narrative
S
Sanskrit Philology

FAQs

It illustrates the Purāṇic network of envoy-messaging between divine actors, a narrative mechanism for linking cosmological politics with ethical and ritual discourse.

No geographic place-name is present; 'tavāntikam' denotes proximity/presence rather than a location.

The verse foregrounds respectful approach (praṇāma) and transparent representation (stating one is 'sent'), aligning speech with accountability.

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