Varaha Purana 79.16: Adhyaya 79, Shloka 16

Description of the Inner Basins (Droṇīs): Śrīsaras, Śrīvana, Bilva Forest, and Tāla Grove

Devanagari script

द्विबाहुपरिणाहैस्तैस्त्रिहस्तायामविस्तृतैः । मनःशिलाचूर्णनिभैः पाण्डुकेसरशालिभिः ॥ ७९.१६ ॥

Sanskrit recitationVaraha Purana 79.16

Transliteration

dvibāhu-pariṇāhais tais tri-hastāyāma-vistṛtaiḥ | manaḥśilā-cūrṇa-nibhaiḥ pāṇḍu-kesara-śālibhiḥ || 79.16 ||

Translation

ان کا گھیر دو بازوؤں کے برابر تھا اور لمبائی میں تین ہست تک پھیلے تھے؛ وہ منہشِلا کے سفوف جیسے رنگ کے اور پھیکے کَیسر (سفید ریشے/زرِگل) والے تھے۔

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Word by Word

• dvi-bāhu-pariṇāhaiḥ: with a two-arm span in girth
• dvi-bāhu-pariṇāhaiḥ: Karaṇa (करण)
• Type: Adjective
• Root: dvi (प्रातिपदिक) + bāhu (प्रातिपदिक) + pariṇāha (प्रातिपदिक)
• Form: Puṃliṅga/Napuṃsaka (agreeing with implied plural nouns), Tṛtīyā (3rd/तृतीया), Bahuvacana; ‘with girths of two arms’

• taiḥ: with those
• taiḥ: Karaṇa (करण)
• Type: Noun
• Root: tad (सर्वनाम-प्रातिपदिक)
• Form: Sarvanāma, Puṃliṅga/Napuṃsaka, Tṛtīyā (3rd/तृतीया), Bahuvacana; anaphoric ‘by/with those’

• tri-hasta-āyāma-vistṛtaiḥ: extended to three cubits in length
• tri-hasta-āyāma-vistṛtaiḥ: Karaṇa (करण)
• Type: Adjective
• Root: tri (प्रातिपदिक) + hasta (प्रातिपदिक) + āyāma (प्रातिपदिक) + √stṛ (धातु) → vistṛta (कृदन्त)
• Form: Bhūta-kṛdanta (past participle) used adjectivally; Tṛtīyā (3rd/तृतीया), Bahuvacana; ‘extended in length to three hastas’

• manaḥ-śilā-cūrṇa-nibhaiḥ: resembling powdered realgar
• manaḥ-śilā-cūrṇa-nibhaiḥ: Karaṇa (करण)
• Type: Adjective
• Root: manaḥśilā (प्रातिपदिक) + cūrṇa (प्रातिपदिक) + nibha (प्रातिपदिक)
• Form: Tṛtīyā (3rd/तृतीया), Bahuvacana; nibha = ‘resembling’; ‘like the powder of realgar (manaḥśilā)’

• pāṇḍu-kesara-śālibhiḥ: having pale stamens
• pāṇḍu-kesara-śālibhiḥ: Karaṇa (करण)
• Type: Adjective
• Root: pāṇḍu (प्रातिपदिक) + kesara (प्रातिपदिक) + śālin (प्रातिपदिक)
• Form: Puṃliṅga, Tṛtīyā (3rd/तृतीया), Bahuvacana; śālin = ‘possessing’; ‘possessing pale stamens’

Speaker

Varāha

Varaha Avatara Context

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"curious; attentive to fine detail","key_question":"What are the specific dimensions and appearance of these flowers/plant-features?"}

Mathura Mandala

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Attention to proportion (arm-span, cubit) and color/texture (pale, realgar-like powder) reflects a Purāṇic sacralization of material detail: the divine is legible in precise form (ākāra) and guṇa (qualities).","yajna_varaha_imagery":"Measurement language echoes ritual specification; the ‘powdered’ comparison evokes ritual substances (rajas/colored powders) used in consecration, transposed onto nature’s ornaments.","vedantic_connection":"Guṇa-observation as a step toward guṇātīta insight: first see the world’s qualities clearly, then discern the witnessing consciousness beyond them."}

Philosophical Teaching

Philosophical Teaching: {"has_teaching":true,"teaching_type":"contemplative observation","core_concept":"Sacred attention: precision in seeing reveals depth in the seen","practical_application":"Practice mindful perception (smṛti) by noticing measure, color, and texture without distraction—turning observation into meditation."}

Subject Matter

Subject Matter: ["Geography","Heritage Sites","Material Culture"]

Verse Rasa

Primary Rasa: adbhuta

Secondary Rasa: shanta

Geographic Context

Type: botanical micro-description within sacred geography

Cross References

Related Themes: Varāha Purāṇa 79.79.15–17 (same forest sequence)

Visual Art Cues

Visual Art Cues: {"scene_description":"Close-up focus on large blossoms or floral structures with pale filaments; the plant parts are thick and measured, with a dusted, mineral-like sheen akin to powdered manaḥśilā.","item_prompts":["macro view of flower/filaments (pāṇḍu-kesara)","scale cues (arm-span/cubit) via human figure silhouette or measuring gesture","powdery mineral sheen","pale-gold/whitish tones"],"kerala_mural_prompt":"Decorative close-up botanical panel with stylized filaments; mineral-like highlights in warm reds/yellows subdued to ‘powder’ effect.","tanjore_prompt":"Embossed floral macro motif with gold outlining filaments; textured ‘powder’ background; jewel-like accents restrained.","mysore_prompt":"Naturalistic botanical study with soft shading; fine filament detail; subtle sparkle to suggest mineral comparison.","pahari_prompt":"Miniature botanical vignette with crisp line filaments; pale saffron/cream palette; patterned background suggesting sacred setting."}

Audio Atmosphere

Audio Atmosphere: {"recitation_mood":"attentive, precise","suggested_raga":"Hamsadhwani","pace":"medium","voice_tone":"clear, lightly emphatic on measurements"}

Tags

• Classical Literature
• Purāṇic Studies
• Ancient Geography
• Descriptive Poetics

FAQs

What is the historical significance of this verse?

The verse illustrates Purāṇic descriptive technique: using standardized body-based measures (arm-span, cubit) and mineral similes (manaḥśilā/realgar) to convey the scale and appearance of features described in sacred-geographic narration.

Which geographic location is identified?

No explicit place-name appears in this single pāda-pair; the verse functions as a descriptive unit within Adhyāya 79. Identification requires adjacent verses that name the site or object being described.

What is the primary ethical instruction?

This verse is primarily descriptive rather than prescriptive; its philosophical value lies in documenting how the text encodes environmental and cultural features through careful measurement and material comparison.