स्वर्गे मर्त्ये च पाताले न दृष्टं न च मे श्रुतम् । तादृग्रूपमहं येन कामबाणवशीकृतः
svarge martye ca pātāle na dṛṣṭaṃ na ca me śrutam | tādṛgrūpamahaṃ yena kāmabāṇavaśīkṛtaḥ
“سورگ میں، مرتیہ میں یا پاتال میں—ایسی صورت نہ میں نے دیکھی ہے نہ سنی؛ اسی حسن نے مجھے کام دیو کے تیر کے قبضے میں کر دیا ہے۔”
Nārada (continuing his report, emphasizing the maiden’s extraordinary beauty)
Tirtha: Prabhāsa-kṣetra (implicit locus of ensuing encounter)
Type: kshetra
Scene: Mahiṣa (or the asura) speaks in awe and agitation, describing a beauty beyond the three worlds; a subtle, symbolic Cupid-arrow motif pierces his composure.
Even exalted beings can be shaken by desire; the dharmic path demands vigilance and discrimination (viveka).
Prabhāsa-kṣetra provides the sacred narrative frame where such trials and teachings are unfolded.
None; the verse describes the overpowering force of kāma as a narrative driver.