सिद्ध रत्नाकरं नाम समुद्रावरणं तथा । धर्माकारं कलाधारं शिवगर्भगृहं तथा
siddha ratnākaraṃ nāma samudrāvaraṇaṃ tathā | dharmākāraṃ kalādhāraṃ śivagarbhagṛhaṃ tathā
یہ ‘سِدّھ رتن آکر’ اور ‘سمُدر آوَرَن’ کے نام سے بھی معروف ہے؛ ‘دھرم آکار’ اور ‘کلا دھار’ بھی؛ اور اسی طرح ‘شیو گربھ گِرہ’ بھی۔
Skanda (deduced)
Tirtha: Prabhāsa-kṣetra (epithets: Siddha-ratnākara, Samudrāvaraṇa, Dharmākāra, Kalādhāra, Śiva-garbha-gṛha)
Type: kshetra
Listener: Same addressed beloved/ देवी implied in the sequence
Scene: A coastal sacred city encircled by the sea; above it, siddhas appear like gems in a radiant ocean; at the center, a stylized garbhagṛha glowing with Śiva-tattva, with dharma as a geometric foundation and kalās as orbiting motifs (music, dance, mantra).
Purāṇic place-names encode theology: the kṣetra is portrayed as ocean-bounded, dharma-shaped, and inwardly Śiva-centered.
Prabhāsa-kṣetra through its alternative epithets and sacred titles.
None explicitly; the focus is on nāma-kīrtana and the sanctifying remembrance of the kṣetra’s titles.