ततः कालविपाकेन स पंचत्वमुपागतः । ब्राह्मणस्य गृहे जातः पुरेऽत्रैव द्विजोत्तमाः । जातिस्मरः प्रभायुक्तः पितृमातृप्रतुष्टिदः
tataḥ kālavipākena sa paṃcatvamupāgataḥ | brāhmaṇasya gṛhe jātaḥ pure'traiva dvijottamāḥ | jātismaraḥ prabhāyuktaḥ pitṛmātṛpratuṣṭidaḥ
پھر زمانے کے مقدرہ نتیجے سے وہ پنچتو کو پہنچ گیا۔ اے بہترین دِوِج! وہ اسی شہر میں ایک برہمن کے گھر پیدا ہوا؛ اپنے پچھلے جنم کو یاد رکھنے والا، نور و تابانی سے آراستہ، اور ماں باپ کو گہری خوشنودی دینے والا بنا۔
Narrator (contextual Purāṇic narration within Tīrthamāhātmya; likely Skanda as principal expositor in Māhātmya-style discourse)
Type: kshetra
Listener: द्विजोत्तमाः
Scene: A narrative transition: the devotee’s death and immediate auspicious rebirth in the same sacred city—shown as a brāhmaṇa household with a radiant child whose eyes suggest remembrance of a former life; parents appear blessed and content.
Time and karma mature inevitably, shaping death and rebirth; virtuous character expresses itself as devotion and service to one’s parents.
The verse points to “this very city” within the Nāgarakhaṇḍa Tīrthamāhātmya context; the specific tīrtha is implied by the surrounding passage rather than named in this single śloka.
None explicitly here; the verse establishes rebirth and dhārmic disposition (parental satisfaction) as the narrative foundation.