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Skanda Purana — Nagara Khanda, Shloka 6

याज्ञवल्क्यस्यभगिनी कंसारीति च विश्रुता । कुमारब्रह्मचर्येण तप स्तेपे सुदारुणम्

yājñavalkyasyabhaginī kaṃsārīti ca viśrutā | kumārabrahmacaryeṇa tapa stepe sudāruṇam

یاج्ञولکْی کی بہن، جو ‘کَنساری’ کے نام سے مشہور تھی، کنوارپن ہی سے برہماچریہ کا ورت رکھ کر نہایت سخت تپسیا میں لگ گئی۔

याज्ञवल्क्यस्यof Yājñavalkya
याज्ञवल्क्यस्य:
Sambandha (Genitive relation/सम्बन्ध)
TypeNoun
Rootयाज्ञवल्क्य (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी-विभक्ति (6th/Genitive), एकवचन (Singular)
भगिनीsister
भगिनी:
Karta (Subject/कर्ता)
TypeNoun
Rootभगिनी (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), एकवचन
कंसारि(named) ‘enemy of Kaṃsa’
कंसारि:
Samjñā/Predicate nominative (नाम/विशेष्य)
TypeNoun
Rootकंस + अरि (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), एकवचन; षष्ठी-तत्पुरुषः (कंसस्य अरिः)
इतिthus
इति:
Sambandha (Quotation marker)
TypeIndeclinable
Rootइति (अव्यय)
Formउद्धरण-समाप्ति/इत्यर्थक-अव्यय (quotative particle)
and
:
Samuccaya (Connector/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
विश्रुताwell-known, renowned
विश्रुता:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootवि + श्रु (धातु) → विश्रुत (कृदन्त-प्रातिपदिक)
Formभूतकृदन्त (क्त), स्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन; विशेषणम्
कुमारब्रह्मचर्येणby (means of) celibacy from boyhood
कुमारब्रह्मचर्येण:
Karana (Instrument/करण)
TypeNoun
Rootकुमार + ब्रह्मचर्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति (3rd/Instrumental), एकवचन; षष्ठी-तत्पुरुषः (कुमारस्य ब्रह्मचर्यम्)
तपःausterity, penance
तपः:
Karma (Object/कर्म)
TypeNoun
Rootतपस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (2nd/Accusative), एकवचन
तेपेperformed (austerity)
तेपे:
Kriya (Action/क्रिया)
TypeVerb
Rootतप् (धातु)
Formलिट्-लकार (Perfect), प्रथमपुरुष (3rd person), एकवचन; परस्मैपद
सुदारुणम्very severe
सुदारुणम्:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootसु + दारुण (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; विशेषणम् (तपः-विशेषण)

Sūta (continuing narration from 174.5)

Listener: dwijas (twice-born sages/audience)

Scene: A young ascetic woman (Kaṃsārī/Kaṃsārikā), serene and resolute, practicing harsh austerities with the aura of brahmacarya—minimal possessions, matted hair, sacred thread motifs of discipline, and a forest-hermitage backdrop.

Y
Yājñavalkya
K
Kaṃsārī

FAQs

Brahmacarya and tapas are upheld as powerful means of spiritual attainment, capable of sanctifying persons and, through them, places.

The verse functions as backstory within the Śrīhāṭakeśvara-kṣetra Māhātmya, leading toward the Kaṃsāreśvara-liṅga account.

The discipline of brahmacarya and the performance of severe tapas (austerities) are presented as exemplary practices.