सकृत्प्रणम्य केदारं हरपापकृतोदकः । स्थाप्य लिंगं हृदंभोजे प्रांते मोक्षं गमिष्यति
sakṛtpraṇamya kedāraṃ harapāpakṛtodakaḥ | sthāpya liṃgaṃ hṛdaṃbhoje prāṃte mokṣaṃ gamiṣyati
جو شخص ایک بار کیدار کو سجدۂ تعظیم کرے، اور گناہوں کو ہرانے والے پانی سے پاک ہو جائے، پھر دل کے کنول میں شیو لِنگ کو قائم کرے—وہ عمر کے آخر میں موکش (نجات) پا لیتا ہے۔
Skanda (deduced: Kāśīkhaṇḍa narrative typically Skanda → Agastya)
Tirtha: Kedāra (Kedāreśvara) in Kāśī; pāpa-hara udaka
Type: ghat
Listener: Aparṇā (Pārvatī)
Scene: A pilgrim bows once at Kedāreśvara; nearby sin-destroying waters shimmer. The same figure is shown in meditation, a radiant liṅga seated in a pink heart-lotus; in the distance, Kāśī’s ghāṭs and lamps glow at twilight.
Outer pilgrimage and inner worship unite: purification through tīrtha and establishment of Śiva in the heart culminate in mokṣa.
Kedāra in Kāśī and the sin-destroying waters associated with Hara-pāpa (Hara-pāpa-hrada).
Bowing to Kedāra, bathing/being purified by the tīrtha waters, and mentally/ritually installing the liṅga in the heart-lotus.