नीरवध्वांतसंकेत सदनाभं तदग्रतः । मकारं स ददर्शाथ तमोरूपं विशेषतः
nīravadhvāṃtasaṃketa sadanābhaṃ tadagrataḥ | makāraṃ sa dadarśātha tamorūpaṃ viśeṣataḥ
پھر اس کے سامنے اس نے ‘م’ کار کو دیکھا—خاموش تاریکی کی علامت لیے ہوئے، گویا ایک آستانہ یا مسکن کی مانند؛ اور خاص طور پر تمس کی صورت۔
Skanda (deduced: Kāśīkhaṇḍa commonly Skanda → Agastya)
Tirtha: Kāśī
Type: kshetra
Scene: The ‘M’ syllable appears as a deep blue-black, quiet form with a subtle halo; it resembles a cave/abode or a closed lotus-bud; surrounding space hushes, suggesting the approach to silence after sound.
Makāra represents the tamasic, dissolving/withdrawing tendency—pointing to the inward return of manifested forms.
The teaching occurs within Kāśīkhaṇḍa’s praise of Kāśī as a place where ultimate sound-principles are understood.
No ritual is prescribed; the verse is a contemplative mapping of Praṇava’s components.