Skanda Purana — Kashi Khanda, Shloka 72
जातो मृतो बहुषु तीर्थवरेषु रे त्वं जंतो न जातु तव शांतिरभून्निमज्य । वाराणसी निगदतीह मृतोऽमृतत्वं प्राप्याधुना मम बलात्स्मरशासनः स्याः
jāto mṛto bahuṣu tīrthavareṣu re tvaṃ jaṃto na jātu tava śāṃtirabhūnnimajya | vārāṇasī nigadatīha mṛto'mṛtatvaṃ prāpyādhunā mama balātsmaraśāsanaḥ syāḥ
اے جیو، تو بہت سے برتر تیرتھوں میں بار بار پیدا ہوا اور مرا؛ غسل کرنے پر بھی تجھے کبھی سکون نہ ملا۔ مگر وارانسی یہاں اعلان کرتی ہے: ‘جو یہاں مرتا ہے وہ اَمرتَوا (لازوالیت) پاتا ہے’؛ اب میری قوت سے تو کام (شہوت) کو مغلوب کرنے والا بنے گا۔
Skanda (deduced: Kāśīkhaṇḍa commonly Skanda speaking to Agastya; verse uses direct address)
Tirtha: Vārāṇasī (Kāśī)
Type: kshetra
Listener: Addressed to ‘jantu’ (the embodied being); framed for the listening sage
Scene: A weary soul carrying the burden of many pilgrimages stands before Kāśī personified as a goddess-city proclaiming immortality; behind, Śiva’s Kāma-dahana aspect burns the arrow of desire, transforming the seeker into a serene victor over passion.
FAQs
Pilgrimage and bathing alone may not grant peace; Kāśī is exalted as uniquely capable of granting liberation and mastery over desire through divine power.
Vārāṇasī (Kāśī), specifically the doctrine that death there leads to amṛtatva (liberation/immortality).
Snāna (bathing/immersion) is referenced as insufficient by itself; the emphasis shifts to the salvific status of dying in Kāśī.