शर्वलब्धवरो दैवात्पुनस्तेपे महत्तपः । रम्ये सरस्वतीतीरे तरणाय भवार्णवात्
śarvalabdhavaro daivātpunastepe mahattapaḥ | ramye sarasvatītīre taraṇāya bhavārṇavāt
شَروَ (شیو) سے تقدیر کے مطابق ور پا کر، اس نے پھر عظیم تپسیا کی—سرسوتی کے دلکش کنارے پر، بھَو-ساگر یعنی دنیاوی وجود کے سمندر سے پار اترنے کی آرزو سے۔
Narrator (contextual; likely Sūta continuing the account)
Tirtha: Sarasvatī-tīra (general)
Type: riverbank/ghat
Scene: Lohāsura performs fierce austerities on a beautiful Sarasvatī bank—still waters, reeds, hermitage trees—seeking to cross saṃsāra.
Tapas performed at sacred riverbanks is portrayed as a means toward liberation—crossing the ‘bhavārṇava’—though inner intent remains crucial.
The Sarasvatī riverbank (Sarasvatī-tīra) is presented as a spiritually potent setting for austerity.
Great tapas (austerity) is the practice emphasized; no specific vrata or dāna is detailed in this verse.