तुष्टुवुर्विविधैः स्तोत्रैर्वागीशप्रमुखाः सुराः । गुणत्रयविभागाय पश्चाद्भेदमुपेयुषे
tuṣṭuvurvividhaiḥ stotrairvāgīśapramukhāḥ surāḥ | guṇatrayavibhāgāya paścādbhedamupeyuṣe
واگیِش کی قیادت میں دیوتاؤں نے گوناگوں ستوتروں سے اُس کی ستائش کی—اُس کی جو تین گُنوں کی ترتیب کے لیے بعد میں سृष्टی میں امتیاز کی صورت ظاہر ہوتا ہے۔
Śrī Mārkaṇḍeya
Tirtha: Revā (Narmadā) narrative frame
Type: kshetra
Listener: King addressed in surrounding passage; audience of sages
Scene: A circle of devas led by Vāgīśa/Bṛhaspati chant layered hymns before Brahmā; subtle visual motifs of three strands/threads suggest the guṇas being ordered.
Stotra (praise) aligns the mind with cosmic order; Brahmā is remembered as the principle that structures creation through the three guṇas.
Not directly; it is part of the prelude narrative that supports the tīrtha’s later glorification.
Implied practice of stotra (hymnic praise), though no specific hymn or rite is detailed.