चन्द्रमा इति विख्यातः सोमरूपो नृपात्मज । इष्टापूर्ते च संपाति कलाषोडशकेन तु
candramā iti vikhyātaḥ somarūpo nṛpātmaja | iṣṭāpūrte ca saṃpāti kalāṣoḍaśakena tu
وہ ‘چندرماؔ’ کے نام سے مشہور ہے—سوم کی صورت والا؛ اے شہزادے کے فرزند، اور سولہ کلاؤں کے چکر کے ذریعے وہ اِشٹ اور پورت کے پھلوں سے وابستہ ہوتا ہے۔
Śiva (deduced: continuing address style within Revā-khaṇḍa)
Tirtha: Revā-kṣetra (contextual)
Type: kshetra
Listener: nṛpātmaja (prince’s son) addressed; also earlier address to Deveśī suggests layered audience
Scene: The divine figure is identified as Candramā/Soma; the waxing and waning sixteen kalās are implied as a luminous cycle linking ritual and charity to merit.
Merit from sacrifice and public beneficence is interwoven with cosmic order; the lunar cycle is presented as a carrier of dharmic results.
The verse sits within the Revā (Narmadā) sacred narrative frame, but it primarily teaches calendrical-dharmic doctrine rather than naming a single tīrtha.
It references iṣṭa (Vedic rites) and pūrta (charitable/public works) as sources of merit linked to lunar kalās.