Shloka 41
रावणान्तःपुरे शयनदर्शनम्
Hanumān Observes Rāvaṇa’s Inner Apartments and Sleeping Court
विपञ्चीं परिगृह्यान्या नियता नृत्तशालिनी।निद्रावशमनुप्राप्ता सह कान्तेव भामिनी।।।।
vipañcīṃ parigṛhyānyā niyatā nṛttaśālinī |
nidrāvaśam anuprāptā saha kānteva bhāminī ||
ایک اور عورت—وقار و ضبط والی اور رقص میں ماہر—وِپَنْچی کو آغوش میں لیے نیند کے غلبے میں سو گئی، گویا محبوبہ اپنے کانت (عاشق) کے پہلو میں نیند سے مغلوب ہو گئی ہو۔
Another self-possessed lady, graceful in dance, holding a seven-stringed lute was as though lying asleep with her beloved.
FAQs
The larger ethical point is fidelity to one’s righteous task: Hanumān remains steady in satya and dharma while witnessing scenes of pleasure and sleep.
In Laṅkā’s women’s quarters, Hanumān observes another sleeping performer holding her instrument, described as if sleeping beside her beloved.
Alertness without intrusion—ethical vigilance (apramāda) coupled with respect for boundaries.