Shloka 63
Rudra’s Removal of Brahmahatyā; Kapālamocana and Avimukta Māhātmya; Origins of Nara and Karṇa
link to Arjuna/Karna query
पुत्रानभीप्सन्क्षेत्रोत्थान्भार्यां स प्रवदिष्यति । अनीप्संती तदा कुंती भर्त्तारं सा वदिष्यति
putrānabhīpsankṣetrotthānbhāryāṃ sa pravadiṣyati | anīpsaṃtī tadā kuṃtī bharttāraṃ sā vadiṣyati
بیٹوں کی خواہش میں وہ اپنی بیوی سے کہے گا کہ کھیت سے پیدا ہونے والی (نییوگ کے ذریعے) اولاد حاصل کی جائے؛ مگر کُنتی اسے نہ چاہے گی اور تب وہ اپنے شوہر سے بات کرے گی۔
Narrator (contextual; verse describes a dialogue setup involving Kuntī and her husband)
Concept: Desire for progeny can pressure dharma into complex choices; true righteousness requires consent, conscience, and careful speech within marriage.
Application: In intimate decisions, prioritize transparent dialogue and mutual willingness; do not force ‘duty’ against the other’s inner truth.
Primary Rasa: karuna
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"Inside a forest hermitage pavilion, Pāṇḍu speaks with urgency yet restraint, his face shadowed by the burden of lineage. Kuntī turns slightly away—conflicted, protective of her inner vow—then answers with composed firmness; the space between them is filled with the unspoken weight of dharma.","primary_figures":["Pāṇḍu","Kuntī"],"setting":"forest āśrama interior with woven mats, a small sacred fire, and hanging garlands; distant trees visible through an open arch","lighting_mood":"temple lamp-lit","color_palette":["smoky amber","sandalwood beige","forest green","deep maroon","soft gold"],"tanjore_prompt":"Tanjore painting style: intimate hermitage dialogue with Pāṇḍu and Kuntī near a small sacred fire; gold leaf on jewelry and firelight accents, rich reds and greens, ornate textile patterns, lotus border framing the ethical tension with devotional dignity.","pahari_prompt":"Pahari miniature style: quiet interior of an āśrama with delicate facial expressions—Pāṇḍu pleading, Kuntī hesitant yet poised; soft lamp glow, fine linework on mats and foliage, muted natural palette with gentle maroon highlights.","kerala_mural_prompt":"Kerala mural style: bold-outlined two-figure composition emphasizing expressive eyes and hand gestures; stylized fire altar, rhythmic forest backdrop, warm red-yellow-green pigments conveying moral gravity.","pichwai_prompt":"Pichwai cloth painting style: symbolic domestic dharma scene framed by intricate floral borders and lotus motifs; deep blue-green background, gold highlights around the sacred fire, figures stylized with devotional calm despite tension."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Bhupali","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["crackling sacred fire","night insects","soft anklet chime","forest breeze","measured silence"]}
Sandhi Resolution Notes: अभीप्सन् + क्षेत्रोत्थान् = अभीप्सन्क्षेत्रोत्थान्; ‘अनीप्सन्ती’ = अ- + नीप्सन्ती (present participle, feminine); भर्त्तारम् spelling normalized as भर्तारम्.
FAQs
It refers to sons ‘arising from the field,’ a dharma-legal idiom for offspring produced through a sanctioned arrangement such as niyoga, where the wife is the ‘field’ (kṣetra) for begetting children.
The verse highlights a conflict between a husband’s desire for progeny and the wife’s unwillingness, foregrounding consent and disagreement within a dharma-framed marital decision.
No—its focus is narrative-ethical (progeny, niyoga, marital dialogue). In Sṛṣṭi-khaṇḍa this functions as part of broader genealogical/dharma discussions rather than pilgrimage geography or explicit bhakti doctrine.